WATCHMEN:  Sunday 9PM on HBO The Damon Lindelof/HBO WATCHMEN provides a new wrinkle to the world of IP exploitation.  It’s not an adaptation of the classic Alan Moore/Dave Gibbons graphic novel (a la Zack Snyder’s all-too-reverent 2009 film) or even a reboot, but a newly conceived work that’s more like a spin-off or a […]

  Anne Hathaway has been one of the most versatile of recent SNL hosts, and in her third stint tonight, the show used her heavily, featuring her in everything but the cold open, Update and a brief pre-taped commercial parody.  The material, alas, wasn’t often up to her level, and in what’s been a heavily […]

  THE NEST (no distrib):  Sean Durkin’s first feature since 2011’s Martha Marcy May Marlene presents its emotions with such high-intensity beams that it often feels as though the film is going to slip into the thriller or even horror genre, but it’s actually just a family drama.  Set in the Thatcher-era 1980s, its plot […]

  DOWNSIZING (Paramount – Dec 22):  Alexander Payne’s latest film (written with his usual partner Jim Taylor) is a delight–and a bit of a mess.  On its face, Downsizing is a leap out of Payne and Taylor’s comfort zones, renowned as they are for small-scale character studies and social satires like Election, The Descendants, Sideways […]

  A couple of Sundances ago, the actress/writer/producer Brit Marling was a festival darling, with two acclaimed pictures unveiled the same week.  In the end, while both Another Earth and Sound of My Voice received distribution, neither found much of a mainstream audience.  (Marling’s also established an acting career that included a very good turn in last year’s Arbitrage.) […]

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time.  THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]

  It helps if you think of BUNHEADS as a CG special effects spectacle, except in this case the CG special effects and spectacle are all in the sound of Amy Sherman-Palladino’s dialogue.  Either you love herrapid-fire, endlessly witty repartee or you find it stilted and artificial; if you’re a naysayer, you should probably find another show […]

  BITTEN:  Monday 10PM on Syfy Syfy’s Canadian werewolf import BITTEN is noticeably low-rent.  Even its transformation sequences use as little CG as possible:  a morphing hand, a back becoming increasingly hairy, and voila, there’s the fake wolf. Although the show has a bit more sex then the Syfy norm, it gives off a very […]