ONE DAY – Watch It At Home:  An Off-Day   What went wrong with ONE DAY?  It’s been clear for a while that its studio, Focus Features, didn’t have great confidence in the film:  first  they postponed the opening from its original midsummer date to late August (which has turned out to be an […]

  NEW YEAR’S EVE:  Not At Any Price – Calling it a “Sit-Com” Insults TV   NEW YEAR’S EVE is such a calculated piece of commercial manufacture that it deserves a Powerpoint presentation more than a review.  Although strictly speaking it isn’t a sequel to Valentine’s Day (and in fact a few of the same […]

    BEING FLYNN:  Watch It At Home – Troubling Story That Doesn’t Go Deep Enough   There’s a scene in Paul Weitz’s new film BEING FLYNN where Jonathan Flynn (Robert DeNiro), the alcoholic, narcissistic, pitiful, self-destructive father of Nick (Paul Dano), reads to his son from a publisher’s rejection letter.  Jonathan sees himself as […]

SUITS – Thursdays 10PM on USA   WHERE WE WERE:  On a precipice.  Mike Ross (Patrick J. Adams) was a hustler with limited formal education but a photographic memory.  He used his talents, among other things, to take tests for those who paid him–including the bar exam, which he passed many times.  Fate brought him […]

  ANIMAL PRACTICE: Wednesday 8PM starting 9/26 on NBC – Change The Channel UPDATE:  Tonight NBC aired the recast version of the ANIMAL PRACTICE pilot as a last-gasp grab for the attention of its Olympics audience.  Joanna Garcia Swisher now plays the female lead, the new boss of the show’s animal hospital and ex-girlfriend of […]

  LAST RESORT: Thursday 8PM on ABC – Potential DVR Alert The strangest new show on any network this season may be LAST RESORT, created and written by the man behind The Shield, Shawn Ryan, with Karl Gajdusek. The problem with trying to evaluate LAST RESORT based on its fairly riveting pilot is that the […]

  It helps if you think of BUNHEADS as a CG special effects spectacle, except in this case the CG special effects and spectacle are all in the sound of Amy Sherman-Palladino’s dialogue.  Either you love herrapid-fire, endlessly witty repartee or you find it stilted and artificial; if you’re a naysayer, you should probably find another show […]

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on the story, there’s Alfonso Cuaron’s 1998 modern-day revamp.)  The industry feeds itself on a diet of […]