> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> Possibly because the Golden Globes take place in much less proximity to the Emmys than they do to the Oscars, and thus aren’t the crucial part of network gamesplaying that they are for the movie studios, the Hollywood Foreign Press Association’s TV awards have always tended to be more adventurous and genuine than the […]

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicle for its lead actress, Nina Arianda, who’s currently giving about as dazzling a performance as you’re likely to […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

    Not Even For Free   Remember Ken Russell’s movie of The Who’s Tommy?  The scene where Ann-Margret’s nervous breakdown was visualized by her television set vomiting out baked beans, chocolate and similar goo?  Watching Zach Snyder’s SUCKER PUNCH is like having that TV on permanent DVR.

  Michael Lewis’ book Moneyball was a marvelous read, but seemed like dim source material for a movie. Credit, then, is due to the creators of the film version–the various producers, screenwriters Steven Zailian and Aaron Sorkin, and director Bennett Miller–for finding a compelling narrative spine in a true-life story about the change in an […]

  THE GIRL WITH THE DRAGON TATTOO:  Worth A Ticket – David Fincher Meets Lisbeth Salander   The most remarkable thing about David Fincher’s version of THE GIRL WITH THE DRAGON TATTOO (written for the English-language screen by Steven Zaillian) is that while remaining, for the most part, scrupulously faithful to the best-selling novel by […]

  THE HUNGER GAMES:  Worth A Ticket – The Odds Are Mostly In Its Favor   Now that virtually every blockbuster movie opens in IMAX, going to an IMAX theatre at this time of year provides a de facto trailer festival for an entire summer of (seemingly) more or less mindless spectacle.  As The Avengers […]