In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare. The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the network’s current Sunday line-up–but as evidenced by its surprise writing Emmy a few weeks ago, its quality is recognized. The Season 2 finale, written […]
NANCY DREW: Wednesday 9PM on CW Although NANCY DREW doesn’t hail from CW’s go-to producer Greg Berlanti (its showrunners are Gossip Girl‘s Josh Schwartz and Stephanie Savage, who created the show with Noga Landau), the series is clearly meant to follow in the path of Berlanti’s Riverdale as an “adult” (i.e., sexualized and violent) […]
ALMOST FAMILY: Wednesday 9PM on FOX Whether we like it or not, the strongest lead-in on broadcast television right now is The Masked Singer, which makes it somewhat surprising that FOX has given the precious slot afterward to the mess that ALMOST FAMILY appears to be. Even more surprising is that the lead producer […]
LUCY IN THE SKY (Fox Searchlight/Disney – October 4): Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector. Hawley’s X-Men off-shoot series Legion had a repertoire of shifting aspect ratios, surreal imagery and dislocations in sound, space and time that felt exciting and […]
JOJO RABBIT (Fox Searchlight – October 4): The discourse about Taika Waititi’s Jojo Rabbit has quickly become a debate between those who think its Nazi-era black comedy is authentically daring, and those who feel its purported audacity is a pretense covering a merely middlebrow sensibility. (Note: every person in the history of language who […]
JUDY (Roadside – September 27): Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render services beyond mere acting. Judy the film has already become the story of Renee Zellweger the Best Actress candidate, a story […]
WAVES (A24 – November 1): Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded, as propulsive as an episode of Euphoria without that show’s smug affectations. There isn’t a lot of plot, and what there […]
JOKER (Warners – October 4): One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it. In the 11 years since Christopher Nolan’s The Dark Knight, the MCU has taken over not just Hollywood’s financial heart but the very tone and definition of the comic-book genre. The […]