I DON’T KNOW HOW SHE DOES IT – Not Even For Free:  You Don’t Want To Know   The recent movie I DON’T KNOW HOW SHE DOES IT most resembles is The Nanny Diaries, which is odd because it was a flop for Harvey Weinstein and The Weinstein Company, and yet Weinstein’s studio […]

  THE ADVENTURES OF TINTIN:  Worth A Ticket – The Return of Steven Spielberg   Remember how lousy the last Indiana Jones movie was?  Remember watching it and wondering sadly what had become of Steven Spielberg, the magician who for decades had an irresistible, inexhaustible ability to spin action sequences into sight gags into satisfying […]

  21 JUMP STREET:  Watch It At Home – High School Meta-Bromance   The meta-ization of contemporary comedy marches on:  Community, of course, is a virtual meta-kingdom, but Happy Endings makes Friends jokes, this week’s 30 Rock undercut what appeared to be its own sentimental ending with jokes poking at viewers who might like sentimental […]

The problem with making a show about someone dying of cancer is that no one really wants to watch a show about someone dying of cancer.  Viewers will roll along with the dark and disturbing, but by and large they draw the line at bleak and depressing.  So Walter White, on Breaking Bad, hasn’t had […]

  ICE AGE:  CONTINENTAL DRIFT – Watch It At Home – The CSI of Family Franchises Does Its Thing   You know what the fabulous Peter Dinklage never gets to do on Game of Thrones?  Sing!  That’s remedied in the new 3D animated ICE AGE:  CONTINENTAL DRIFT, where as the voice of monkey pirate Captain […]

  THE CAMPAIGN:  Not At Any Price – Abstain THE CAMPAIGN, like many a politician before it, tries to be all things to all people, and winds up delivering almost nothing. There was reason to be hopeful about The Campaign, mostly because its director, Jay Roach, seemed to embody exactly the mix the movie was […]

  LAWLESS:  Watch It At Home – A Moonshine War To Make You Long for “Boardwalk Empire” Director John Hillcoat specializes in stark, emotionally distanced pulp, and if that sounds like a contradiction in terms, often it is.  His Australian western The Proposition, about a man murderously stalking his own brother, had a gnarled power, […]

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus half a dozen (at least) obscure exploitation and art-house directors, Soderbergh is Godardian, Scorsese recreates the aesthetic of Michael Powell, […]