ME, MYSELF & I:  Monday 9:30PM on CBS – In the Queue CBS’s ME, MYSELF & I is a gimmick sitcom, which CBS seems to regard as necessary for single camera comedies (see Life In Pieces, or don’t).  The high-concept here is more or less This Is Us with one-liners  As in the NBC […]

> PARENTHOOD is sort of the Bizarro version of a broadcast network drama:  it shines when addressing the kind of tiny moments of human interaction that just about every other show on TV can’t be bothered to notice, but it sometimes falters when attempting the Big Event Episode that’s bread and butter for most series. […]

> In these heady moments after the NY Giants’ triumphant victory over the New England Patriots (I’d say “Sorry, New England fans,” but I wouldn’t mean it), let’s take a moment to look at the other major event of the evening:  the ads for upcoming movies.  (Mitch Metcalf will offer a separate take on NBC’s […]

  It was an odd SATURDAY NIGHT LIVE all around tonight, starting with the fact that host Chris Hemworth was there to plug The Avengers:  The Age of Ultron, which won’t even open for 2 more months.  Hemsworth isn’t exactly known as a comic stylist, so although he had a few enjoyably goofy moments, the […]

> For everyone journeying to the multiplex this long weekend, some reviews to click on: THE TREE OF LIFE:  An often stupendous achievement that courts ridicule–and sometimes earns it. THE HANGOVER PART II:  It wasn’t broke, they didn’t fix it. KUNG FU PANDA 2:  This franchise has been working out. MIDNIGHT IN PARIS: A tasty […]

  DEFIANCE:  Friday 8PM on Syfy The second season of Syfy’s DEFIANCE was often jarringly different from its first, shifting from its initial post-apocalyptic-western procedural form to a heavily mythological storyline that broke up the central father-and-adoptive-alien-daughter relationship of Nolan (Grant Bowler) and Irisa (Stephanie Leonidas) for much of the season, while embracing a mystical […]

> FOLLIES may be the strangest of all Broadway masterpieces; after 40 years, it’s still the most avant-garde work of Stephen Sondheim’s career. It’s easy enough to make the show sound linear:  set in 1971 (which was present-day when the musical was written), it takes place at a theatre that had, for some decades, housed […]

  Movies have the advantage over TV when it comes to telling gimmicky stories, because a movie only has to sustain the gimmick for 2 hours, and then it’s done.  YOUNGER could have been an effortless feature vehicle for [fill in the rom-com star blank], but after 12 half-hour episodes, the effort is already showing […]