> THE CHANGE UP – Watch It At Home:  Cliches with Dirty Words Are Still Cliches There have been plenty of R-rated comedies this summer–a bumper crop, really–but none more fully committed to raunch than THE CHANGE-UP.  The script by Jon Lucas and Scott Moore (they wrote The Hangover, but also Ghosts of Girlfriends Past) […]

  HOMELAND‘s season 7 was a mess, but a more entertaining one than recent editions have been.  There were even a few episodes toward the middle of the season that brought back memories of the truly great series it had been in its early glory years.  At this point, though, we’ll settle for less, and […]

  JACKIE (Fox Searchlight – December 9):  The most impressive film of the festival thus far is director Pablo Larrain’s jewel-like examination of the realities and artifices behind our perceptions of history, viewed through the prism of Jackie Kennedy, who is played by Natalie Portman in a performance that goes beyond (brilliant) impersonation to deliver […]

> The festival has its first crowd-pleaser in CELESTE AND JESSE FOREVER, a light but heartfelt romantic comedy-drama in the Woody Allen vein. Written by Rashida Jones (who also stars as Celeste) and Will Mc McCormack (on hand as well as a supportive weed dealer), it takes a different slant on the usual rom-com by […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

>Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the new […]

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-class, award-caliber dramas like House of Cards, but there will also be crap. HEMLOCK GROVE is the crap. Horribly written (Hours […]

  If HOMELAND hadn’t once been so good, it wouldn’t be so painful now to see what it’s become.  Season 5 was by no means terrible:  it was crisply produced, Claire Danes and Mandy Patinkin remain enviable leads, and the plotting was no sillier than that of many other TV action-adventures, which could also have […]