> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

  HBO has been airing a spiffy HD edition of James L. Brooks’ 1987 BROADCAST NEWS  in its recent rotation (it’s next scheduled for July 20 and 24), and that makes sense, since the Brooks film is one of the acknowledged inspirations for HBO’s current Aaron Sorkin series THE NEWSROOM.  I’m not sure how much […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

  Despite the fact that the producers didn’t know if the Season 4 finale of NASHVILLE would be the end of the series when it was written (and lead studio Lionsgate, in fact, is still trying to sell the show to another network or platform, proposing a Season 5 writers room that would be run […]

  BARRY:  Sunday 10:30PM on HBO – Potential DVR Alert The buzz is that HBO’s BARRY is a series that changes quite a bit from its pilot, so we’ll keep this short and return to the series later in its 8-episode run.  Co-created by star Bill Hader (who also directed the opening three episodes) and […]

> See A Word About Busted Pilots  The double meaning of “little” in the title of Fox’s busted sitcom pilot LITTLE IN COMMON is that the 3 couples at its center are brought together only because their respective kids all play on the same little league team.  That’s about it for cleverness, though, in this […]

  HUMANS packed more punch than its compendium of post-Blade Runner tropes initially suggested, but those strengths weren’t altogether reflected in tonight’s season finale.  At its best, Humans told the story of two troubled families, one human and one a group of illicitly sentient “synths,” and followed the members of each, through the course of […]

> FILLY BROWN, directed by Youssef Delara (who also wrote the script) and Michael D. Olmos, falls into a recognizable Sundance genre:  sagas of poor young women (usually ethnic) struggling to escape their poverty and make a better life.  Celebrated examples in festival history include Girlfight and Real Women Have Curves; Filly Brown, while it […]