It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent memory (even worse than Francis Coppola’s still-unreleased Twixt, seen at last year’s Toronto)—one had to be a major DePalmite to even find […]

  The third season of ORPHAN BLACK was a step up from Season 2, although the show is still the victim of its plotting.  The main narrative for the season was set up in the Season 2 finale, with the discovery that along with the (mostly) female “Leda” clones, all played by Tatiana Maslany, there […]

  It was probably unwise for TWISTED to end its first season with a cliffhanger, since it seems to be doomed–the ratings were low even when it had Pretty Little Liars as a lead-in, and once that show finished its season, they became downright awful.  As much as one hates to see people lose their […]

  THE FOSTERS:  Monday 9PM on ABCFamily For the most part, ABCFamily’s new THE FOSTERS takes a nicely low-key approach to material that could easily have been cloying or vapid (or both).  Our entry point into the story is Callie (Maia Mitchell), a troubled teen who, upon her release from juvie, is taken in by […]

  THE AFFAIR:  Sunday 10PM on Showtime The second season of THE AFFAIR took some risks, and they largely paid off.  (Dramatically, if not in the ratings.)  The series widened its universe beyond the viewpoints of illicit lovers Noah Solloway (Dominic West) and Allison Lockhart (Ruth Wilson) to include their respective exes Helen (Maura Tierney) […]

> Thursday night brought a mother lode of returning serialized dramas to broadcast TV, with both ABC and CW returning to duty.  Let’s start by looking at ABC’s 10PM PRIVATE PRACTICE, airing a fresh episode for the first time since a 2-hour special on November 17. WHERE WE LEFT OFF:  As usual, there was all […]

  RED WIDOW spent its season about two inches away from being a really enjoyable dark farce.  All the ingredients were there:  plotting that had a vague, circular logic but was basically nonsensical, and a cast of moronic characters so wrapped up in their own ignorance, selfishness and blind aggression that they constantly bumped into […]

  VEEP keeps setting new challenges for itself, and surpassing them.  Last season, it underwent a change at the top when series creator Armando Iannucci decided to move on, and new showrunner David Mandel kept the trains running as hilariously as ever.  This year, it imploded its own paradigm, exploring what its political satire would […]