SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to play in theaters has–at least for now–come to an end is sad news for moviegovers.  (Soderbergh still has an HBO biography of […]

  THE AMERICANS:  Wednesday 10PM on FX A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful […]

  SMASH:  Tuesday 10PM on NBC The intermission that began last May is over, and what SMASH desperately wants you to know isn’t just a second season but a full-fledged Version 2.0 kicks off with the self-aware lyric “I know I’ve kept you waiting/I know I’ve made you mad.”  In an attempt to get the […]

  MONDAY MORNINGS:  Monday 10PM on TNT – If Nothing Else is On… About 15 years ago, David E. Kelley was David Chase, Aaron Sorkin and Ryan Murphy combined.  Legendary for his ability to personally write most of the scripts for his multiple shows himself (in long-hand on legal pads, no less), Kelley was the […]

  The historical significance of HOUSE OF CARDS in the evolution of television is by now well-established.  It’s the first original production created specifically for Netflix, and the company made its first bet a huge one:  26 one-hour episodes, 2 full seasons worth, ordered without even a pilot (at a reported cost of $100M), and […]

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be.  It was impossible to get into the festival’s big buy, The Way, Way […]

  Tina Fey’s 30 ROCK left the building very much the way it entered 7 years ago:  with a million gags (at least ten thousand of them meta), a bit of sentiment (usually followed instantly by undercutting silliness), and a gnawing taste for the hand that fed it. If there was any surprise in the […]

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true, as the debuts of, among others, Ridley Scott (The Duellists) and David Fincher (Alien 3) have shown.  But cliches […]