To say BATMAN BEGINS successfully rebooted the Warners franchise is accurate, but incomplete.  Christopher Nolan’s film, from the script he wrote with David S. Goyer, is a complete rethinking of the very concept of a comic book/superhero movie, one comparable to what The Godfather and Cabaret did with the gangster movie and the musical […]

  With far less fanfare than last night’s farewell to The Closer, tonight TNT rang down the season’s curtain on FRANKLIN & BASH, a show that can barely be bothered to remember that a season finale is different from any other episode.  This isn’t a series very interested in story arcs or even continuity; it […]

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, one that has a broader palette of tones and a larger sense of scale […]

  The political comics of America owe a heartfelt “thank you” to Mitt Romney for his “47%” bungle that became public this week.  (So do the Democrats, but that’s another story.)  Jon Stewart has been going to town on it all week, and tonight’s inaugural SNL WEEKEND UPDATE THURSDAY of the season used it as […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]

  1600 PENN:  Thursday 9:30PM on NBC A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful […]

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conversational pins, and if her non-stop dialogue is to be more than mere verbal choreography, it’s critical that the scenes […]