BELIEVE was one of the more regrettable failures of the 2013-14 broadcast season. That wasn’t because of its premise (super-powered girl is pursued by evil scientists who want to weaponize her gifts, ho hum), but due to the involvement of the great Alfonso Cuaron as series co-creator. But Believe was in trouble from the […]
A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]
SIGNIFICANT MOTHER: Monday 9:30PM on CW – Change the Channel CW doesn’t air scripted half-hours in its regular season line-up, and it’s been trying its hand with them over the summer when there’s little to lose. No one is watching its Thursday British import Dates, but it’s a surprisingly nimble set of mostly two-actor, […]
> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie. Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]
It wasn’t until the last few minutes of tonight’s SATURDAY NIGHT LIVE that the show seemed to figure out what to do with this week’s host–which was weird, because Michael Keaton, making his return to SNL after decades, much as he returned to public consciousness with last year’s Birdman, has a wide range that […]
For reasons sociologists can ponder, we happen to be at a great moment for spy stories. Last year’s remake of Tinker, Tailor, Soldier, Spy, the superb Homeland (barring last week’s speed-bump episode) and the upcoming Zero Dark Thirty, the reconstruction of the fossilized bones of James Bond into the triumphant Skyfall–you can hardly take […]
IN TIME: Watch It At Home – The Clock Never Really Starts Ticking Andrew Niccol wants to be a populist moviemaker of ideas, but he just doesn’t have the knack. Niccol’s ideas are genuinely impressive: he’s the man who wrote The Truman Show and Gattaca, and less successfully, S1mOne and Lord of War. […]
A guy–almost always a middle-aged white guy–walks out onto a stage and delivers a 10 or 15 minute stand-up routine about current events, to the cameras and a live audience of a few hundred people. Then he sits behind a desk and for another 10 minutes or so, he does a pre-scripted (sometimes pre-taped) […]