> Worth a Ticket:  Diesel and The Rock keep their pedals to the metal. If you want to feel truly American, try reflecting on the new FAST FIVE while wall-to-wall coverage of the British royal wedding is airing on the television before you.  Every culture gets the pop entertainment it craves, and the dumb, disreputable […]

> When the announcement was made that Warner Bros would split HARRY POTTER AND THE DEATHLY HALLOWS into 2 full-length movies, there was a certain amount of cynicism about studio greed–and, indeed, why not pick up an extra billion or so if the opportunity arises?  But really, J.K. Rowling’s novels have all been stuffed so […]

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

> Until now, LAW & ORDER:  SPECIAL VICTIMS UNIT has been unique to the franchise in not having undergone a periodic reshuffling of its cast.  For 12 seasons, SVU had been the only one of the series to be star-driven, anchored by the team of Chris Meloni and Mariska Hargitay.  But Meloni and NBC were […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> CALIFORNICATION has been a fairly reliable performer for Showtime, although not a breakout hit (last season, airing at 9PM, it was doing around a 0.2 in 18-49s, about the same as The Big C and a little below the network’s other signature comedies Weeds and Nurse Jackie).  It returns for its 5th season in […]

> TOUCH:  Mondays 9PM on FOX, starting March 19 – Change the Channel FOX’s new series TOUCH got off to a very good start in the ratings with a “preview” episode last week (having American Idol as a lead-in didn’t hurt), and certainly indications are that it could be a solid hit when it makes […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]