BETTER CALL SAUL reached a milestone in the final scene of its fourth season, as Jimmy McGill (Bob Odenkirk) formally assumed the mantle of Saul Goodman, the character he’ll be in Breaking Bad.  As the prequel series journeys toward its destiny, though, this Season 4 turned out to be a ruthless essay on the […]

  WHISKEY CAVALIER:  Wednesday 10PM on ABC ABC capped Oscar Night with a bit of dessert, very much a trifle:  a “sneak preview” of WHISKEY CAVALIER, which will officially premiere on Wednesday night with the same episode.  The genre is Romantic Intrigue Lite, very much in the tradition of Charade, one of the classics of […]

  JUST MERCY (Warners – December 25):  As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldfinch and Joker).  Destin Daniel Cretton’s film, co-written with Andrew Lanham, belongs to the Innocent Man On Death Row subgenre, […]

  MOTHERING SUNDAY (Sony Classics – Nov 19):  Eva Husson’s film, adapted by Alice Birch from a Graham Swift novel, has many of the rote trappings of prestige costume drama.  We’re back in the English countryside, during the interim between World Wars.  Class distinctions are very much at the center of things, as manor-born Paul […]

  EMPIRE OF LIGHT (Searchlight/Disney – December 9):  Sam Mendes takes the first solo screenwriting credit of his long career on Empire of Light, a personal film inspired by his youth and his mother.  The story is centered around the seaside Empire movie theater, a once-grand palace that by the early 1980s has seen better […]

  EXHIBITING FORGIVENESS (no distrib):  The noted painter Titus Kaphar has made an impressive shift into scripted feature films.  Although Exhibiting Forgiveness isn’t strictly speaking autobiographical, Kaphar’s protagonist Tarrell (Andre Holland) is a successful painter whose canvases resemble the filmmaker’s.  Tarrell travels with his wife (Andra Day, playing a recording star) and young son to […]

> PROJECT X:  Not Even For Free – Don’t RSVP How is it that no one has yet produced a 3D found-footage movie?  You’d think the combination of the most (usually) mind-numbing gimmicks of the past decade would be a commercially sure bet, but so far it’s an untapped market. Meanwhile we have PROJECT X, […]

> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Festival:  Park City At Midnight, Next, and New Frontier. Also announced were the Spotlight films, which is where Sundance puts films that […]