> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

> Until now, LAW & ORDER:  SPECIAL VICTIMS UNIT has been unique to the franchise in not having undergone a periodic reshuffling of its cast.  For 12 seasons, SVU had been the only one of the series to be star-driven, anchored by the team of Chris Meloni and Mariska Hargitay.  But Meloni and NBC were […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> CALIFORNICATION has been a fairly reliable performer for Showtime, although not a breakout hit (last season, airing at 9PM, it was doing around a 0.2 in 18-49s, about the same as The Big C and a little below the network’s other signature comedies Weeds and Nurse Jackie).  It returns for its 5th season in […]

> TOUCH:  Mondays 9PM on FOX, starting March 19 – Change the Channel FOX’s new series TOUCH got off to a very good start in the ratings with a “preview” episode last week (having American Idol as a lead-in didn’t hurt), and certainly indications are that it could be a solid hit when it makes […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]

  POINT BLANK – Worth a Ticket:  A Thrill-Ride with Subtitles   The most gripping Hollywood thriller of the summer is… in French.  (But not for long.)  This isn’t a complete surprise:  POINT BLANK‘s director/co-writer Fred Cavaye may not be a household name, but he made the film Anything For Her, the 96-minute thriller that […]