ABC’s AMERICAN CRIME is Serious and Important, but how good is it?  John Ridley’s series takes on the biggest topics–all of them, it seems–from race to class to sexual orientation to school violence and the loss of privacy in the internet age, and not even Oscar-bait films wear a mantle of unrelieved misery quite […]

  PREACHER:  Sunday 9PM on AMC – Potential DVR Alert It’s not quite clear what on earth AMC’s new PREACHER is after watching its pilot, but it’s certainly intriguing.  Based on a celebrated comic book series by Garth Ennis and Steve Dillon, and widely considered unadaptable after several cycles of development hell over the years, […]

  SECRETS & LIES – Sunday 9PM on ABC – Change the Channel Everything about the return of ABC’s SECRETS & LIES feels a bit off.  Even the scheduling of the quasi-anthology series (different stories and characters, except for the connecting presence of Juliette Lewis as stern lead detective Andrea Cornell) is odd–the series took […]

  WILL & GRACE:  Thursday 9PM on NBC Nothing and everything has changed since WILL & GRACE began its run on NBC in 1998, and departed in 2006.  Every effort has been made to duplicate the original series:  not only are Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally back, along with series creators […]

  TRUST:  Sunday 10PM on FX – DVR Alert TRUST is distinguished initially by what it isn’t.  Despite its placement on FX and the fact that it’s a saga of real-life celebrity crime and scandal, it’s not a Ryan Murphy production.  And although it tells the story of the 1973 kidnapping of J. Paul Getty […]

  HAPPY TOGETHER:  Monday 8:30PM on CBS Even though CBS’s HAPPY TOGETHER is inspired by a period in Executive Producer Harry Styles’s actual life, it’s one of those sitcoms where no one in front of or behind the cameras appears to have spent much time on Earth.  The contrivance that serves as the plot has […]

> JOHN CARTER:  Watch It At Home – Never Goes Into Orbit All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t count the $100-150M […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]