>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg’s movie may have been the sleekest entertainment of his career, a near-perfect piece of craft that boasted two great star performances from […]

    See also:  THE SKED NETFLIX REVIEW:  “Arrested Development” (Episodes 1-3) THE SKED NETFLIX REVIEW:  “Arrested Development” (Episodes 4-7) THE SKED NETFLIX REVIEW:  “Arrested Development” (Episodes 8-11) It turned out that the one thing not to expect from Season 4 of ARRESTED DEVELOPMENT was an ending.  Rather than build its intricately plotted season toward […]

  Tonight’s SATURDAY NIGHT LIVE marked the return of movie-star alumnus Will Ferrell as host, but he had a minimal amount to do with the clear highlight of the night.  That would be the show’s 100th Digital Short, a genuine extravaganza (if this was the reason there was no Digital Short last week, the effort […]

  The biters and the Governor took their toll on the humans who remained in Season 3 of THE WALKING DEAD, but the show’s potentially most damaging casualty may have been at AMC’s own hand, when it decided to get rid of showrunner Glen Mazzara, for reasons neither side has disclosed or–remarkably–even leaked.  His season […]

  The unquestionable highlight of tonight’s SATURDAY NIGHT LIVE was brief but heartfelt:  the tail-end of Weekend Update, as Amy Poehler, Andy Samberg, Fred Armisen (wordlessly, as wandering sight-impaired former NY Governor David Paterson) and, inevitably, Bill Hader’s Stefon, all trooped in to bid farewell to co-anchor Seth Meyers on his way to take over […]

  There was a time when BONES was a breath of fresh TV air.  When it arrived in 2005, the networks were deep into Peak Grim Procedural mode, as shows like CSI, Criminal Minds and NCIS thrived and spawned seemingly endless spin-offs.  Bones pumped some changes into the format, adding rom-com, screwball comedy, warmth and […]

  Even as ABC’s Agents of SHIELD suggests the limits of corporate/entertainment synergy, it’s been working out just fine for the same network’s ONCE UPON A TIME.  Whether the idea originated with the show’s network, studio or (as they claim) producers, melding Disney’s Frozen with the Once melenge of fairy tale, myth and pop culture […]

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot director Reed Morano, and with Peter Dinklage and Elle Fanning as seemingly the last people on Earth.  Nevertheless, it’s a misfire, […]