THE BORGIAS:  Sunday 10PM on Showtime Showtime must have a great co-production deal on THE BORGIAS.  Despite what is evidently a handsome budget–certainly far more expensive than what shows like House of Lies or even Homeland cost to produce–the series barely makes a ripple in the ratings, last year managing an 18-49 rating of […]

> Last night, of course, was not intended to be the end of LUCK.  The enormously high-profile show, created by David Milch and with production supervised by pilot director Michael Mann, and fearuring a cast headed by Dustin Hoffman and Nick Nolte, had already been renewed for a second season, with one of those instant […]

  In its 6th season, NURSE JACKIE went all the way back to square one.  There were cosmetic differences, of course–Jackie Peyton (Edie Falco) is now divorced, and increasingly alienated from her daughters Grace (Ruby Jerins) and Fiona (Mackenzie Aladjem).  But for the most part, the season was Jackie redux, as she cunningly (and sometimes […]

> Watch It At Home:  Petty larceny. Sometimes casting can be too good:  Keanu Reeves playing a guy who pretty much sleepwalks through his own life is practically redundant.  His whole style, from the very start of his career in the Bill and Ted pictures (more than 20 years ago!), has been to lag a […]

  GLEE:  Friday 9PM on FOX Among the many wrongheaded decisions made by FOX over the last several years, one was giving GLEE a two-year renewal–just as the bottom was starting to fall out of its ratings.  Last year, things went from bad to ghastly, not only in the ever-worsening ratings but creatively, as the […]

  666 PARK AVENUE: Sunday 10PM on ABC – Potential DVR Alert Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and re-scored, and in some cases even recast or reshot. These critiques shouldn’t be taken as full pilot reviews, but rather […]

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would literally age on screen.  Now Richard Linklater, the most unKubrickian of filmmakers, has done exactly that with BOYHOOD, […]