> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent memory (even worse than Francis Coppola’s still-unreleased Twixt, seen at last year’s Toronto)—one had to be a major DePalmite to even find […]

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best science-based work), he explores the point where factual science meets not just science fiction, but something more metaphysical, an area […]

  Last year, the cop novel “The Whites” was published as the work of Harry Brandt–except that “Harry Brandt” was actually a pseudonym for Richard Price.  This seemed odd at first, because unlike, say, JK Rowling deciding to write detective stories, crime novels were already Richard Price’s bread and butter, in celebrated works of fiction […]

  There were a lot of nips and tucks in the now-concluded 2d season of USA’s FAIRLY LEGAL.  The show overall had a less comedic feel, and the heroine, Kate Reed (Sarah Shahi), was turned into more of an adult, which is to say a conventional TV protagonist.  Kate is still a mediator who works […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

  Coming off its acclaimed, Emmy-winning production of Grease, FOX had the holiday live TV musical market cornered this year, NBC having opted out of its planned Bye Bye Birdie in favor of a Spring 2018 Jesus Christ Superstar.  FOX zigged a bit from past practices, choosing the recent (and short-lived) Broadway musical adaptation of […]

  In its short (7 episode) first season, DON’T TRUST THE B___ IN APT 23 hasn’t yet proven itself the equal of Happy Endings, the show it replaced in ABC’s prime post-Modern Family timeslot.  However, the show has enough going for it to be a funny, entertaining ride (and besides, it took Happy most of […]