APB:  Monday 9PM on FOX – Change the Channel FOX’s APB is a zeitgeist show in the worst possible way.  No doubt when it was pitched and even produced, its central notion that inner-city crime could be cured only by an arrogant white billionaire was meant to invoke Tony Stark and Bruce Wayne, but […]

  24: LEGACY:  Monday 8PM on FOX – In the Queue It’s difficult to watch the “new” 24: LEGACY simply as a TV show.  By the time the original series went off the air in 2010, it was already more trope than drama, its many gimmicks (the “real-time” format, split screens, on-screen countdown clock, etc) […]

  The first season of CW’s musical-comedy CRAZY EX-GIRLFRIEND was by far the most daring and distinctive show on broadcast television, but a nagging question remained:  what could it do for an encore?  It wasn’t clear how long the story could follow Rebecca Bunch (series co-creator Rachel Bloom) in her stalking of one-time summer camp […]

  TRAINING DAY:  Thursday 10PM on CBS – Change the Channel If the idea that CBS, of all networks, could turn the dark, ruthless police drama TRAINING DAY into a TV series seemed counterintuitive–well, they haven’t.  There’s a show with that title on the network schedule, and the general outlines of the character dynamic and […]

  POWERLESS:  Thursday 8:30PM on NBC – If Nothing Else is On… So far, NBC’s POWERLESS is merely a clever idea for a sitcom.  It’s set on the fringes of the DC superhero universe, in Charm City, where Wayne Security (owned by the unseen Bruce, who of course has things to do in Gotham) exists […]

  NOVITIATE (Sony Classics):  It’s not clear how much of an audience there can be for a dark drama set amid the physical and psychological hardships of a pre-Vatican II midwestern abbey, but Margaret Betts’s Novitiate provides an utterly convincing insight into that world.  (Betts won a “breakthrough” directing award at the festival.)  The story […]

  CALL ME BY YOUR NAME (Sony Classics):  Luca Guadagnino’s sumptuous gay romance has been anointed as the Sundance entry most likely to figure into next year’s Oscar race, and it’s easy to see why.  It combines the appeal of traditional prestige drama (James Ivory, who practically invented the modern version of that genre, is […]

  THE DISCOVERY (Netflix):  Charlie McDowell’s first film was the ingenious metaphysical farce The One I Love, so there was plenty of reason to eagerly anticipate his follow-up.  He (and, once again, co-writer Justin Lader) return to some of the same philosophical territory again with The Discovery, but with less pleasing results.  The main action […]