SILENT HOUSE:  Watch It At Home – A Curiosity   SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, […]

  There were more cameo stars in the first 15 minutes of tonight’s SATURDAY NIGHT LIVE than regular cast members, and since SNL has enough regulars for a small city, that’s saying something.  It all got Paul Rudd’s third stint as host off to an energized start, which the show predictably proceeded to dribble away […]

  ROSEWOOD:  Wednesday 8PM on FOX – If Nothing Else Is On… If there’s one overriding theme running through the network television premieres this fall, it’s their almost defiant lack of ambition.  The Big 4 may be watching their audiences erode and their advertising revenues shrink, they may be besieged by literally hundreds of other […]

  ROGUE:  Wednesday 9PM on Audience Network (DirecTV only) A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of […]

  LUCE (Neon):  Julius Onah’s film was one of the most gripping and provocative of the festival, combining a tale about social and racial tensions with the suspense of a psychological thriller.  Based by director Julius Onah and JC Lee on the latter’s play (as adapted, the drama isn’t in any way stagebound), it centers […]

  The Season 3 finale of BOARDWALK EMPIRE, like the season itself, was an exercise in patience and a mix of satisfaction and anti-climax.   Written by series creator Terence Winter and Executive Producer Howard Korder, and directed by house director Tim Van Patten, the first half of the episode had antagonists Nucky Thompson (Steve Buscemi) […]

6:30 We’ve arrived at that strangest phenomenon of awards season, the night when we collectively grant the 88 nonentities of the Hollywood Foreign Press Association (none of them filmmakers, many of them not even critics, and some of them of dubious principle) meaningful sway over the Academy Awards.  That will be even more true this […]

> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a movie about the thrill and especially the business of gambling, that means they don’t have any […]