> LUCK – Sundays 9PM on HBO starting January 29 – Potential DVR Alert The TV auteur David Milch got rich by co-creating (with Steven Bochco) NYPD Blue, but he’s probably most beloved for creating Deadwood.  Deadwood, while never a giant hit–it ran only 36 episodes on HBO, and never had a proper ending–was a […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

> Although a great work of art is great forever, the relevance of a given piece to a current moment in time does tend to fluctuate.  It turns out that Arthur Miller’s DEATH OF A SALESMAN, written 63 years ago, is so remarkably attuned to this here and now that despite its period setting, it […]

> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show:  The Office and Parks & Recreation both took that journey (the US Office was trying too hard at first to ape the Ricky Gervais original, and Parks was […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]

KILLER ELITE:  Watch It At Home – Neither Killer Nor Elite   The new KILLER ELITE takes little from Sam Peckinpah’s 1975 action movie apart from its title (Peckinpah used “The” in his) and the general notion of mercenaries and ex-spies double-crossing each other.  This isn’t a huge loss, as the 1975 version was part […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

    MIRROR MIRROR:  Not Even For Free – 7 Years Bad Luck     When it was announced that 2012 would bring two big-budget movie versions of the Snow White story, not to mention TV’s Once Upon A Time, in which Snow (Ginnifer Goodwin) is a central character (and that’s not counting Grimm, another […]