ME, MYSELF & I:  Monday 9:30PM on CBS – In the Queue CBS’s ME, MYSELF & I is a gimmick sitcom, which CBS seems to regard as necessary for single camera comedies (see Life In Pieces, or don’t).  The high-concept here is more or less This Is Us with one-liners  As in the NBC […]

    NASHVILLE:  Wednesday 10PM on ABC   WHAT IT’S SAYING:  Good old girls tusslin’ and singin’ in the world of country music.

  GO ON is a genuine bubble show–not just in its ratings (which are strong when it has The Voice as a lead-in and barely acceptable when it doesn’t), but in its quality.  The series wobbles from episode to episode and even between storylines in a single episode, sometimes smart and charming and equally often […]

  HALT AND CATCH FIRE is in part a show about the cold realities of business, and business logic suggests that a third season for the series is unlikely.  The ratings, cool in Season 1, were icy this year; the show neither occupied the zeitgeist nor found any love from Emmy voters; AMC’s recent renewal […]

  90210:  Monday 8PM on CW WHERE WE WERE:  Mid car-crash.  A truck was plowing into Dixon (Tristan Wilds), in a way that would surely kill an actor in the middle of contract renegotiations.  Dixon’s love Adriana (Jessica Lowndes), singer and sometime alcoholic, drug addict and maniac, to whom Dixon was driving, had given up […]

  WE ARE MEN:  Monday 8:30PM on CBS Previously… on WE ARE MEN:  Carter (Chris Smith), whose recent engagement stopped short of the altar, has joined a colony of men without women at a San Fernando Valley apartment complex.  Frank (Tony Shalhoub), Stuart (Jerry O’Connell) and Gil (Kal Penn) are all in various stages of […]

    Everything is a little smoother in 2002’s HARRY POTTER AND THE CHAMBER OF SECRETS.  The young actors give more assured performances; Steve Kloves’ script, having gotten so much exposition out of its way in Sorcerer’s Stone, is faster and more character-based; the camerawork (by Roger Pratt instead of John Seale) is more fluid; […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]