After three seasons, THE KILLING is still hard to get a fix on. Technically it’s a murder mystery, but efficiently and intelligently spinning out crime stories is what it’s least good at–its narrative is notoriously overextended, sloppily plotted and reliant on bad detective work and a seemingly infinite number of red herrings. (Even though […]
THE BIG YEAR: Watch It At Home – Very Small Pleasures THE BIG YEAR is an amiable, good-natured comedy that’s so insubstantial it seems to fly out of your memory even as you’re watching it. If it had been a low-budgeted indie that turned up at a film festival, it might have felt […]
The seventh season of HBO’s blockbuster GAME OF THRONES, its most watched and in some ways most confounding, was shaped by two outside factors, and possibly a third. Series creators David Benioff and D.B. Weiss, having outrun the completed portion of George R. R. Martin’s series of novels, were in total control of the […]
POWERLESS: Thursday 8:30PM on NBC – If Nothing Else is On… So far, NBC’s POWERLESS is merely a clever idea for a sitcom. It’s set on the fringes of the DC superhero universe, in Charm City, where Wayne Security (owned by the unseen Bruce, who of course has things to do in Gotham) exists […]
THE RED ROAD: Thursday 9PM on Sundance Channel – If Nothing Else Is On… “Ponderousness” is odd branding for a cable network with fledgling original programming to embrace, but after Top of the Lake, Rectify, The Returned and the new THE RED ROAD, it’s pretty clear that Sundance Channel is very comfortable with its […]
> Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and rescored, and in some cases even recast or reshot. So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]
HALT AND CATCH FIRE: Sunday 10PM on AMC Previously… on HALT AND CATCH FIRE: In 1983 Texas, the enigmatic, charismatic Joe MacMillan (Lee Pace) comes to sleepy Cardiff Electric and manipulates the company into going to war with IBM, his former employer. He recruits Cardiff engineer Gordon Clark (Scoot McNairy), depressed by the drudgery […]
TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age. The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best friend Patrick (Gabriel Basso), and a very strange tagalong named Biaggio (Moises Arias) don’t just run away, they literally find an […]