INSECURE:  Sunday 10:30PM on HBO – In the Quene HBO introduces a promising new voice to TV comedy with Issa Rae’s INSECURE, which she created with Larry Wilmore (who left after pilot to concentrate on The Nightly Show).  Rae’s vision is strongly R-rated (a key word from the Donald Trump tape gets a full […]

  THE LAST WORD (Bleecker Street):  Shirley MacLaine does the irascible codger thing.  She’s smart enough not to overplay the very familiar hand she’s been dealt by screenwriter Stuart Ross Fink and director Mark Pellington, but still there’s little here we haven’t seen many times before.  Harriet Lauler (MacLaine), while a holy terror to everyone […]

  BLOOD DRIVE:  Wednesday 10PM on Syfy – If Nothing Else Is On… Syfy is in the midst of a rebranding, the focal point of which seems to be a new font for its logo.  Creatively, if the premiere of BLOOD DRIVE is to be taken as a guide, the network intends its model to […]

  INHUMANS:  Friday 9PM on ABC (starting Sept 29) – Change the Channel In this world of Peak TV, it’s harder for a new series to break through the clutter than it’s ever been, and that thicket will be a veritable forest during the fourth week of September, when the major broadcast networks will follow […]

  KEVIN (PROBABLY) SAVES THE WORLD:  Tuesday 10PM on ABC – In the Queue ABC’s KEVIN (PROBABLY) SAVES THE WORLD is the closest any broadcast network has to a Big Swing this fall, and as such, it deserves some respect.  But wow, is it a mess.  The only reason the fantasy-inspirational dramedy holds together even […]

  OPHELIA (no distrib):  Claire McCarthy’s film, written by Semi Chellas from Lisa Klein’s novel, dampens the fun of its own concept.  The idea is to re-tell Hamlet through the eyes of Shakespeare’s ill-fated Ophelia (Daisy Ridley) in a somewhat feminist way, and unlike other Bard marginalia like Tom Stoppard’s Rosencrantz and Guildenstern Are Dead […]

  ABBY’S:  Thursday 9:30PM on NBC Unless the general public cares about a multi-camera sitcom being shot outdoors, NBC’s new ABBY’S may face a tough road.  Aside from that technological distinction (handled with seeming effortlessness by director Pamela Fryman), Abby’s feels like the kind of sitcom that might have tried to coast off the vibe […]

  FORD VS. FERRARI (20th Century Fox/Disney – November 15):  If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake and eat it too.  FvsF is both a first-rate example of Hollywood corporate entertainment and a story that questions what […]