It remains a pop culture puzzle that Marvel can have such uninterrupted, unprecedented success as a producer of blockbuster movies, yet still not have cracked the code of TV, while DC, which is hurrying (perhaps too fast) to play catch-up on the big screen, is routinely turning out hit series for the small one.  (Well, […]

  For its fall finale (the show is taking a relatively brief break, returning on January 7), AGENTS OF SHIELD turned to its continuing storylines, such as they are.  The script by Co-Producer Shalisha Francis, directed by Holly Dale, went back to the pilot and its story of the Centipede project, which has recurred in […]

  In the best case scenario, this first half of THE WALKING DEAD‘s 7th season has been a necessary evil.  While ponderousness has been built into the show’s DNA more or less from the start, Walking Dead has never before been as oppressive as these 8 episodes.  Part of that is sheer length:  AMC has gone […]

  What is it with endings?  Why do they rattle the brains of even the greatest of television’s creative minds?  Half-endings, too, which is what tonight’s finish to the first half of MAD MEN‘s 7th and final season was, the remaining 7 hours to sit on an AMC shelf until a year from now.  (That […]

  Under showrunner Scott M. Gimple, this fifth season of THE WALKING DEAD became steadily better as drama than the series has ever been, drawing closer to deserving its phenomenal level of ratings as still (even after the arrival of Empire) TV’s biggest non-football success.  Gimple and his team have greatly improved the show’s eternal […]

  Not to beat up on Agents of SHIELD more than it already has been, but comparisons between it and ARROW are particularly clear right now since both shows are pursuing essentially the same storyline, in which there’s an evil plan underfoot to inject innocent people with a serum that will transform them into super-soldiers […]

  Almost every quality series, at one point or another, takes a wrong turn (remember the Friday Night Lights murder storyline?); the mark of one with staying power is whether it can bounce back.  THE FOSTERS was in danger of going over the edge at the end of its first season, piling one melodramatic plot […]

  Today’s CW announcement that in March, THE TOMORROW PEOPLE will move to Monday nights, swapping the hit Arrow for the untested Star-Crossed as its lead in, probably starts the clock ticking on the show’s remaining time to prove itself.  The series has made a few steps to improve since its underwhelming pilot, but it’s […]