Times are dark indeed in Storybrooke this season.  The ratings for ONCE UPON A TIME have never been worse, and the the once-inventive show’s writing, by series creators Adam Horowitz and Edward Kitsis and their staff, is at a low ebb.  Truth be told, this has been coming for a while (remember the show’s […]

  It seems that for many viewers, ONCE UPON A TIME has become too conceptual for its own good.  The ratings, so robust just 2 seasons ago, have continued to sink (down another full ratings point this season), and while Once is still relatively successful by ABC standards, it’s no longer a substantial hit.  Nevertheless, […]

  THE GIRLFRIENDS’ GUIDE TO DIVORCE has made its way, at least somewhat, past a very shaky start–not so much in the ratings, which have remained mediocre (although steady enough for Bravo to declare its first scripted 1-hour a win and order another season), but dramatically.  At the start, Girlfriends pandered all too blatantly to […]

  THE ORIGINALS and its creator/showrunner Julie Plec have been fearless about plunging viewers of the New Orleans-set supernatural soap into a veritable bayou of mythology.  We’re half a season in, and already swamped by vampires, werewolves, vampire/werewolf hybrids, an impossible unborn hybrid baby, a teen super-witch, an assortment of garden-variety witches, and the occasional […]

  Last week’s episode of NBC’s THIS IS US notched an impressive achievement:  in Live + 7 ratings, it moved past Empire to become the highest rated drama on broadcast TV.  Admittedly, L7 ratings aren’t the most meaningful metric for advertiser purposes, and being the highest rated broadcast drama isn’t the gala event it would […]

  SLEEPY HOLLOW has grown into one of the (few) pleasant surprises of the fall network season, a keenly judged mix of supernatural folderol, increasingly well-drawn characters and light time-travel comedy.  Enough of a hit to already have been renewed for next season, the show’s first fall term culminated in a barnburner of a season […]

  It remains a pop culture puzzle that Marvel can have such uninterrupted, unprecedented success as a producer of blockbuster movies, yet still not have cracked the code of TV, while DC, which is hurrying (perhaps too fast) to play catch-up on the big screen, is routinely turning out hit series for the small one.  (Well, […]

  For its fall finale (the show is taking a relatively brief break, returning on January 7), AGENTS OF SHIELD turned to its continuing storylines, such as they are.  The script by Co-Producer Shalisha Francis, directed by Holly Dale, went back to the pilot and its story of the Centipede project, which has recurred in […]