MISS AMERICANA (Netflix – January 31): There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and there’s no mention of Cats), and Lana Wilson’s documentary culminates in an inspirational push that is very much on-message with Swift’s latest […]
In HOW I MET YOUR MOTHER, Carter Bays and Craig Thomas created an odd but appealing mix of traditional sitcom humor and conceptual originality (their upcoming FOX show The Goodwin Games looks like another unusual angle on the genre), and with comedy, as with drama, the thing about conceptual storytelling is that at some […]
Even by CW standards–and this is a network where shows that could barely hold a slot in basic cable get renewed–THE LA COMPLEX is a clear flop, watched by about 2/10 of 1% of the 18-49 year old audience and less than half a million people in total. So although it’s been reported […]
> See A Word About Busted Pilots Remember the Sideways universe in the last season of Lost? (I feel your pain; bear with me.) In particular, remember the storyline where Sawyer and Miles were tough LA detectives, living out their version of a 1970s cop show? Well, for Battlestar Galactica fans, there was almost a […]
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]
> ENLIGHTENED – Mondays 9:30PM on HBO – If Nothing Else Is On… As a writer, Mike White is drawn to stories of delusion. Even though their tones (and commerciality) are widely divergent, his screenplays from Chuck & Buck to The School of Rock, The Good Girl to Nacho Libre share protagonists who are firmly […]
> NBC’s WHITNEY hasn’t really had much of a midseason break, but tonight marked its move from a cushy home on Thursday night, where it aired behind the network’s only hit, The Office, to the much more challenging job of opening Wednesday nights and clearing the way for new sitcom Are You There, Chelsea? So […]
>Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and rescored, and in some cases even recast or reshot. So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content of […]