> The Academy limits the number of movie ads that can be aired on the Oscar telecast (until recent years, they didn’t allow any), so as not to make the night look like the awards are shilling for the studios.  (God forbid!)  It’s not clear whether that’s the reason only 2 movie promos made it […]

> After a full season, it’s still not clear just what HOUSE OF LIES is. The season finale, written and directed by series creator Matthew Carnahan, centered on what became the show’s main storyline in the latter part of its run:  the attempted takeover of the management consulting firm that employs Marty Kaan (Don Cheadle) […]

  SAVE ME had a late start, but it managed to be the worst network show to premiere during the 2012-13 season.  Unspeakably self-righteous, smug and narcissistic–and also not remotely funny–it was a series about religion that could have been underwritten by atheists.  While the idea of having The Big C creator Darlene Hunt run […]

  BLACK SAILS:  Saturday 9PM on Starz Previously… on BLACK SAILS:  In 1715, Nassau and the waters around it weren’t yet controlled by any government, and existed instead as the domain of independent pirates and merchants.  Captain Flint (Toby Stephens) of the Walrus is on the trail of his big score, the one that will […]

  THOSE WHO KILL:  Monday 10PM on A&E – Worth A Look It has the accoutrements of a basic cable crime drama–the heroes are seriously screwed-up, and occasionally say “shit”–but THOSE WHO KILL is a surprisingly conventional procedural in its initial hour, especially given its adjacency on the A&E schedule to the more perverse and […]

  The Season 2 finale of TNT’s MAJOR CRIMES, intended to pay off the show’s one serialized storyline, about Rusty (Graham Patrick Martin), the teen ward of series protagonist LAPD Captain Sharon Raydor (Mary McDonnell) and witness to a murder committed by imprisoned serial killer and attorney Philip Stroh (who was originally introduced back in […]

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]

  It seems that for many viewers, ONCE UPON A TIME has become too conceptual for its own good.  The ratings, so robust just 2 seasons ago, have continued to sink (down another full ratings point this season), and while Once is still relatively successful by ABC standards, it’s no longer a substantial hit.  Nevertheless, […]