> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

  Voting is going on right now for this year’s Emmy nominations, and LOUIE is on the ballot as a “comedy.”  It’s not the only show to squeeze into a category where it may not truly belong–Orange Is the New Black and Shameless are “comedies” too, and the 8-episodes-and-done True Detective has decided that it’s […]

  TREME thrives on its idiosyncracies–if “thrive” is the word for a show that hardly anyone watches–and one of those is its limited interest in engaging in a “season finale.”  Thus, tonight’s close of Season 3, written by series creators David Simon and Eric Overmeyer (from a story by Simon and Anthony Bourdain–yes, that one) […]

  SHADOWHUNTERS: THE MORTAL INSTRUMENTS:  Tuesday 9PM on Freeform – If Nothing Else Is On… Fans of mediocre YA fantasy adventure may remember SHADOWHUNTERS: THE MORTAL INSTRUMENTS from its last incarnation, as a 2013 feature film based on Cassandra Claire’s novels.  That was supposed to kick off a franchise, but the movie flopped, and the […]

  Although Starz was a co-financier of THE WHITE QUEEN, the show was produced by the BBC predominantly for a British audience, so it helped to have a working (or at least a Wikipedia) knowledge of 15th-century English history to get the most out of it.  For example, it would have been difficult to appreciate […]

  BLOOD DRIVE:  Wednesday 10PM on Syfy – If Nothing Else Is On… Syfy is in the midst of a rebranding, the focal point of which seems to be a new font for its logo.  Creatively, if the premiere of BLOOD DRIVE is to be taken as a guide, the network intends its model to […]

  If Ryan Murphy’s goal with the second season of AMERICAN CRIME STORY was to demonstrate the breadth of the show’s anthology branding, not just in subject matter but in style and structure–unlike the relative consistency of his American Horror Story, with its repertory company of writers and stars–well, mission accomplished.  Murphy handed the keys […]

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]