TYRANT:  Tuesday 10PM on FX Season 1 of TYRANT was a mess.  It was rebooted and somewhat restaffed after the pilot was shot, and then continued to be changed on the fly, making for a series that seemed to shift tone and direction every few episodes.  The ratings weren’t much above terrible (although they […]

  It’s odd for a successful TV series to be asked to justify its continued existence, but that’s where HBO’s BIG LITTLE LIES found itself after the network looked at the Season 1 ratings (not just high but steadily rising, which is almost unheard-of these days), and expanded the show from its original one-time-only limited […]

  RAY DONOVAN:  Sunday 10PM on Showtime – Potential DVR Alert Ray Donovan (Liev Schreiber) is a fixer with plenty to fix.  Professionally, he’s sort of a lower-rent LA version of Scandal‘s Olivia Pope, employed by Hollywood agent Lee Drexler (Peter Jacobson) to do whatever’s necessary to clean up after Tinseltown’s celebrities and studio execs.  […]

  The idea of applying a deep coat of existential angst to thriller conventions isn’t new–every Sundance Film Festival has at least a couple of examples of the sub-genre, and there are even sub-sub-genres of the form, like Thomas Pynchon’s Inherent Vice and Bleeding Edge, which add surreal humor to the mix.  With 8+ hours […]

  The fact that ABC’s QUANTICO has been renewed for a third season (albeit with a 13-episode order, a reduced network license fee and an as-yet-unchosen replacement showrunner) tells you everything you need to know about broadcast network television circa 2017.  Qnantico has recently been earning same-day 18-49 ratings at the 0.5 level, a number […]

  MURPHY BROWN:  Thursday 9:30PM on CBS MURPHY BROWN was Prestige TV comedy before that concept really existed.  When it went on the air 30 years ago, it was a year before the arrival of Seinfeld, and 5 years ahead of Frasier, and while there were other intelligent, funny sitcoms on the air, Diane English’s […]

  The heart sank when 15 minutes into tonight’s SATURDAY NIGHT LIVE–the part of the show that’s still supposed to be funny–the first post-monologue sketch was a labored, silly bit that went nowhere with host Daniel Craig as a construction worker unable to come up with coherent catcalls when women walked by, instead praising her […]

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assume the occupants were socially distanced) seemed irresistible.  The premise:  a pair of onetime lovers follow through on […]