Voting is going on right now for this year’s Emmy nominations, and LOUIE is on the ballot as a “comedy.”  It’s not the only show to squeeze into a category where it may not truly belong–Orange Is the New Black and Shameless are “comedies” too, and the 8-episodes-and-done True Detective has decided that it’s […]

  THE FOSTERS:  Monday 9PM on ABCFamily In its first half-season, THE FOSTERS pulled off a feat of considerable difficulty.  Its saga of multi-racial lesbian couple Stef (Teri Polo) and Lena (Sherri Saum) and their mixed brood of Stef’s biological son Brandon (David Lambert), adopted twins Jesus (Jake T. Austin) and Mariana (Cierra Ramirez), and […]

  DESIGNATED SURVIVOR has been running through showrunners like breath mints (a fourth is scheduled to join the show for Season 2, and reportedly every script makes its way through star/executive producer Kiefer Sutherland as well), so it’s not much of a surprise that the tone and even the genre of the show has wobbled […]

  I’M DYING UP HERE certainly wasn’t the worst show of the summer, but it did make one wonder how it had made its way through the development process and onto Showtime’s air.  Series creator Dave Flebotte’s take on the nonfiction book by William Knoedelseder was almost defiantly uncommercial.  The book detailed the 1970s LA […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

  THE ORIGINALS has some recurring problems.  For one thing, since its antihero family the Mikaelsons are ageless supernaturals who emigrated to the US over the centuries, their foes–and even the family members who turn up from time to time, sometimes in new bodies–tend to be interchangeable Eurotrash.  It took effort this season to remember […]

  HERE AND NOW:  Sunday 9PM on HBO – In the Queue HERE AND NOW is sort of the Alan Ball/HBO version of The Fosters, which means that its characters are a generation older, it has a lot of sex, a lot of talk, and a lot of angst, and there’s a mystical “mystery” element. […]

  It seems that for many viewers, ONCE UPON A TIME has become too conceptual for its own good.  The ratings, so robust just 2 seasons ago, have continued to sink (down another full ratings point this season), and while Once is still relatively successful by ABC standards, it’s no longer a substantial hit.  Nevertheless, […]