> AMERICAN HORROR STORY – Wednesdays 10PM on FX – Potential DVR Alert The first inkling of just how deranged AMERICAN HORROR STORY is going to be comes with one of the early “normal” scenes.  The location isn’t the haunted house, so we’re away from the girl with Down’s Syndrome who tells people they’re going […]

> Although nothing is likely to be official until May, the odds are that PAN AM is heading into its final landing.  The series received a short back order from ABC, and will be off the air after February, when Good Christian Bitches (or whatever they’re calling it this week) will take its Sunday 10PM […]

>Premiering tonight after Modern Family on ABC (at 9:30/ 8:30 Central) is Don’t Trust the B- in Apt. 23 (formerly titled Don’t Trust the Bitch in Apt. 23 or simply Apt. 23 during the upfront season last year, when this review from Mitch Salem was originally posted.   Disclaimer:  Network pilots now in circulation are […]

  There were a lot of nips and tucks in the now-concluded 2d season of USA’s FAIRLY LEGAL.  The show overall had a less comedic feel, and the heroine, Kate Reed (Sarah Shahi), was turned into more of an adult, which is to say a conventional TV protagonist.  Kate is still a mediator who works […]

  PERCEPTION:  Monday 10PM on TNT A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and […]

  GOLDEN BOY:  Friday 9PM on CBS (special previews on Tuesday 2/26 and 3/5) – Potential DVR Alert CBS tries to have its procedural cake and eat its serialization with GOLDEN BOY.  Think of it as How I Met Your Mother as a cop show:  the story is structured, by veteran procedural writer Nicholas Wootten […]

  TREME:  Sunday 10PM on HBO   WHERE WE WERE:  New Orleans, of course, and hip-deep in the lives of a dozen struggling, striving, stubborn, idiosyncratic natives and recent arrivals.  These include the feckless trombonist Antoine Batiste (Wendell Pierce), who reluctantly supports himself and his family as a high school music teacher; radio DJ/composer/rapper/dreamer Davis […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]