A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

  SEAL TEAM:  Wednesday 9PM on CBS – In the Queue CBS’s entry in the fall’s military drama sweepstakes, SEAL TEAM, has several advantages over NBC’s The Brave. It’s been put together by a team of veteran craftsman:  series creator Benjamin Cavell has been a senior writer/producer with Graham Yost on Justified and Sneaky Pete, co-showrunner Edward […]

  The concept of a “finale” as an event calling for special plot revelations and narrative shockers is almost irrelevant to SCANDAL, where every episode brings massive twists.  This is a show, after all, set in a world where the sitting President and Vice President of the United States have now recently committed murder–and not […]

  Even as other broadcast networks have been backing off their commitment to situation comedy, ABC seems to have possession of the magic formula.  Last season’s The Goldbergs became a genuine hit with a move to Wednesdays, Fresh Off the Boat richly deserved its renewal on Tuesdays, and even the now-canceled Cristela had its fans.  […]

  DEXTER:  Sunday 9PM on Showtime WHERE WE WERE:  In a frozen instant of time, as Detective Debra Morgan (Jennifer Carpenter) watched her adopted brother Dexter (Michael C. Hall), a blood spatter expert on her own forensic investigative team, murder a man in cold blood. WHERE WE ARE:  That same moment.  And there was reason […]

  FARGO was great television of a kind we’ve never really seen before.  Neither a prequel nor a sequel nor a remake, not even a true spin-off, this was more like a reincarnation of the Coen Brothers’ classic movie, as though the writer Noah Hawley had allowed himself to be inhabited by the filmmakers’ idiosyncratic […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

  TNT’s MAJOR CRIMES, like its predecessor The Closer, belongs to the “procedural-plus” subgenre, with a crime to be solved every week combined with a secondary amount of continuing serialized plot.  However, there was very little of the “plus” to be found in tonight’s season finale (really a half-season finale, with the show scheduled to resume […]