The fourth and final season of Cinemax’s BANSHEE felt more like an epilogue, or even a spin-off, than a climax. It wasn’t the time jump between Seasons 3 and 4, or the shortened 8-episode order, or even the physical relocation from North Carolina to Pennsylvania (for tax credit reasons). The focus, the center of […]
Will THE GOOD WIFE be remembered as the last great broadcast network drama? It’s impossible to know for sure, but it seems like a good bet. Other shows will make the attempt, of course: ABC’s American Crime, which may or may not return for a 3rd season, has been filled with ambition, even if […]
http://www.youtube.com/watch?v=Tg8sujxWids&sns=em Since FALLING SKIES wants to be on the air for years to come (it’s already been renewed for a 3rd season), its story can’t ever end, unless it reaches an official final valedictory year. So in the Season 2 finale, written by Executive Producer Remi Aubochon and Co-Executive Producers David Weddle and Bradley Thompson, […]
POWER: Sunday 9PM on Starz Although Starz has embraced the classy Outlander as the face of its original programming, recently giving it a 2-season renewal, the network’s bread and butter is Courtney A. Kemp’s hip-hop crime saga POWER, which is by far its highest-rated original. This season, Starz is using the 3rd stanza of […]
RAISING HOPE: Tuesday 8PM on FOX WHERE WE WERE: The town of Natesville, where the Chance clan–Jimmy (Lucas Neff), mom Virginia (Martha Plimpton), dad Burt (Garret Dillahunt) and ancient Maw-Maw (Cloris Leachman)–indeed raise Jimmy’s daughter by a now (as far as we know) deceased death row inmate. After a couple of seasons pining after […]
Throughout its third season, reactions to GIRLS seemed to depend to a large extent on the particular vision of the series that viewers had. Season 3 of Lena Dunham’s show was notably less conceptual and experimental than Season 2 had been, with its standalone episodes, abrupt shifts in tone and focus, sexual frankness unusual […]
THOSE WHO KILL: Monday 10PM on A&E – Worth A Look It has the accoutrements of a basic cable crime drama–the heroes are seriously screwed-up, and occasionally say “shit”–but THOSE WHO KILL is a surprisingly conventional procedural in its initial hour, especially given its adjacency on the A&E schedule to the more perverse and […]
In its second season, THE AMERICANS continued to be a expertly crafted saga of betrayals, both political and personal. Tonight’s chilling season finale, written by series creator Joe Weisberg and his co-showrunner Joel Fields, and directed by Daniel Sackheim, brought all its themes together brilliantly, and set the stage for what should be an […]