THE WHISPERS never made much sense, and that went triple for tonight’s finale. On a macro level, it was probably unwise to end the season with a cliffhanger, since reports are that although the ratings were no worse than middling, ABC had let the cast options lapse when it postponed the show to summer, […]
“Universes” are all the rage among studios and networks these days, thanks to the rise of the Marvel/Disney empire. DC/Warners is trying to duplicate that success (its movie and TV universes are somewhat confusingly separate, and its main accomplishment so far is all but colonizing the CW network through Greg Berlanti’s quartet of series), […]
HOMELAND: Sunday 9PM on Showtime We’ve recently acquired the concept of “legacy media,” referring to things like newspapers that are actually printed on pieces of paper–still potentially useful, but decidedly out of date. Showtime’s HOMELAND is sort of “legacy quality TV”. It kicked off in 2011 with one and a half classic seasons, a nimble, […]
BIG LITTLE LIES was a bait and switch of the highest order. The show was marketed as a murder mystery, and the fragmentary flashforwards early on confirmed the idea that this was where the story was headed. But the killing itself didn’t actually occur until the last 15 minutes of the 7th and final […]
ROSEANNE: Tuesday 8PM on ABC – In the Queue Television continues its remembrance of things past with ABC’s reboot of ROSEANNE, which last aired a new episode in 1997. Like NBC’s Will & Grace, this Roseanne is a skillful resuscitation that features the original cast (although in this case, not the original writing staff), […]
Previously… On THE NEWSROOM: Will McAvoy (Jeff Daniels) and his executive producer Mackenzie MacHale (Emily Mortimer), with the support and encouragement of News Division head Charlie Skinner (Sam Waterston) are trying to transform their nightly cable news broadcast into something new and admirable, one that focuses on putting accurate, important facts in context instead […]
A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]
It was no easy feat for the second season of THE FOLLOWING be even more idiotic and vicious than its Season 1. But devotion to craft pays off in the end, and series creator Kevin Williamson and his writer/producer partners managed to do it, with tonight’s season finale capping the accomplishment. Where to begin […]