FOX’s PITCH, co-creator Dan Fogelman’s (with Rick Singer) “other” fall series–he also has a little project called This Is Us–is a modestly engaging drama that deserves another, you know, at bat. Unfortunately, “modest” also describes its ratings–and that’s being kind–so fill in your further baseball analogies here about tonight’s season finale being two outs […]
Last week’s episode of NBC’s THIS IS US notched an impressive achievement: in Live + 7 ratings, it moved past Empire to become the highest rated drama on broadcast TV. Admittedly, L7 ratings aren’t the most meaningful metric for advertiser purposes, and being the highest rated broadcast drama isn’t the gala event it would […]
“Interactive TV” is a phrase that’s been used many times in many contexts over the years, and HBO’s WESTWORLD provided a new way to look at the concept. The first season of Westworld was–more than Lost, more than Mr. Robot, even going back all the way to The Prisoner–an unprecedentedly elaborate series of puzzles. […]
Times are dark indeed in Storybrooke this season. The ratings for ONCE UPON A TIME have never been worse, and the the once-inventive show’s writing, by series creators Adam Horowitz and Edward Kitsis and their staff, is at a low ebb. Truth be told, this has been coming for a while (remember the show’s […]
INCORPORATED: Wednesday 10PM on Syfy – Change the Channel INCORPORATED is one of Syfy’s periodic big swings. Although produced in Canada, it’s backed by the CBS and Syfy in-house studios, rather than a low-cost pick-up or license arrangement like the ones that finance Z Nation, Van Helsing and the like. Enough money has been put behind […]
THE AFFAIR: Sunday 10PM on Showtime The second season of THE AFFAIR took some risks, and they largely paid off. (Dramatically, if not in the ratings.) The series widened its universe beyond the viewpoints of illicit lovers Noah Solloway (Dominic West) and Allison Lockhart (Ruth Wilson) to include their respective exes Helen (Maura Tierney) […]
SHOOTER: Tuesday 10PM on USA – Change the Channel USA Network has had a tough time populating its post-Mr. Robot schedule. Sam Esmail’s series, while not a ratings blockbuster, has been a re-branding triumph, instantly changing the image of USA from the stodgy network of Monk and Royal Pains to something darker, younger, cooler, […]
Donald Glover’s ATLANTA would have been unimaginable on a mainstream television outlet just a few years ago–let alone as a show that could achieve success in the ratings. It’s very much a post-Louie series (both air on FX), with its disregard of typical TV format and structure, but even Louie, for all its brilliant […]