In its second season, Noah Hawley’s FX series LEGION largely became a delivery system for set-pieces.  Some of these sequences, to be sure, were dazzling:  Hawley has become a whiz with aspect ratios, split screens, stylized sets, skewed camera angles, eccentric music choices, and all manner of visual and aural devices–at one point, he […]

  It may not be fair, but it’s awfully hard not to compare the second seasons of KILLING EVE directly with HBO’s Barry, since both were comedies-with-drama/dramas-with-comedy about hired killers that aired on virtually the same Sunday nights.  Many of us watched the latest installments of each series in the span of the same few hours.  […]

> The atmosphere on this week’s SATURDAY NIGHT LIVE was far more relaxed now that last week’s Lindsay Lohan Extravaganza Express has left town.  That didn’t make it a great episode–SNL is lucky to manage 1 or 2 of those in a season–but it had its share of laughs. Jonah Hill was a good choice […]

    THE GOODWIN GAMES:  Tuesday 9:30PM on FOX   WHAT IT’S SAYING:  From the guys who gave you How I Met Your Mother, another unexpected spin on sitcom convention:  this time, the Sibling Rivalry comedy.   WHAT IT’S REALLY SAYING:  Are there more to the “Games” than the customized Trivial Pursuits questions we see?  […]

> The networks have proclaimed their Fall schedules, the new series have been (partially) unveiled, so… what now?  What will actually be worth watching when network TV comes back to life in a few months?  SHOWBUZZDAILY is here to help you out.  The good news is that since virtually all TV series are available these […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> Even though the Oscar race has had clear favorites in THE DESCENDANTS, THE ARTIST and THE HELP since last fall, the first 2 haven’t sparked any huge enthusiasm among the general public, where after almost 2 months, Descendants has yet to gross $50M, and Artist, which Harvey Weinstein hasn’t dared put into general release, […]