Aided by a compatible WWE Smackdown lead-in and a red state-friendly storyline, SHOOTER has been a sturdy performer for USA, already renewed for a second summer season.  The series is low-ambition compared to USA’s Mr Robot or even Suits or Colony (or the awful Falling Water, for that matter), but series creator John Hlavin […]

  When a show is as successful as AMC’s THE WALKING DEAD, it can afford to spend virtually the entire back half of a season as little more than a lead-up to the next.  But can it also provide no satisfaction at all when it reaches the end of the season finale?  Of course, Walking […]

  PUBLIC MORALS:  Tuesday 10PM on TNT – Change the Channel Unless its pilot turns out to be misleading, PUBLIC MORALS looks to be fairly woeful stuff.  The show’s auteur–its star as well as the series creator, writer and director–is Edward Burns, who’s become the forgotten man of American indie film.  Burns’ The Brothers McMullen […]

  THE KIDS ARE ALRIGHT:  Tuesday 8:30PM on ABC THE KIDS ARE ALRIGHT is ABC’s 9th family sitcom currently on the air (10th if you count the quasi-family of Single Parents), which puts it in a meta position not unlike its focal character Timmy Cleary (Jack Gore), the middle child of eight Catholic sons and […]

  The first season of YELLOWSTONE was a feat of auteurship.  Every episode of the recently-rebooted Paramount Network’s prestige series was written and directed solely by series creator Taylor Sheridan, something not even David Lynch or Sam Esmail can claim.  The result was 10 hours of television that qualified, to an extent rarely seen, as […]

  THE ROOKIE:  Tuesday 10PM on ABC THE ROOKIE is mostly a standard-issue police procedural, not surprisingly most reminiscent of ABC’s long-running summer series Rookie Blue, but with one big difference:  it’s unmistakably a star vehicle for Nathan Fillion.  He’s one of those actors who seems to have spent his entire adult life starring in […]

  AMERICAN HORROR STORY: HOTEL:  Wednesday 10PM on FX Even by the lavish standards of its franchise, the first installment of AMERICAN HORROR STORY: HOTEL is crazily incoherent.  It plays mostly as a collection of extended, bloody music videos–and since subtlety has never been a strength of series co-creator Ryan Murphy and his team, it […]

  HOW TO GET AWAY WITH MURDER is an edifice built on two foundations:  the acting of Viola Davis as the show’s brilliant and complex criminal attorney Annalise Keating, and the ability of series creator Peter Nowalk and his writing/producing staff to come up with compelling non-stop plot twists.  In Season 2, Davis as usual […]