GREY’S ANATOMY is no longer Shonda Rhimes’ brightest, shiniest toy, but in a way her skills as a producer are most evident in the way that her first hit hums along, now in its 2d decade on the air.  That’s incredibly difficult for a serialized drama, especially one that started off as being about […]

  Hit dramas rarely go south as quickly as THE BLACKLIST.  In November 2013 it was earning a 3.0 rating, one of the highest rated 10PM shows on TV.  In May 2014 it was still at 2.6.  In November 2014 it was almost as strong at 2.5.  2 weeks ago?  A new series low of […]

  NASHVILLE doesn’t make more than a gesture these days toward having very much to say about the music industry, or the place of country music in American culture.  It’s simply a soap, and often an effective one; with this week’s renewal, it’s reached the promised land of a 4th season on the air, buffered […]

  The Season 2 finale of Agents of SHIELD was the show trying its very, very hardest–and still not hitting the mark.  A great deal of work has gone into rescuing Agents since it plummeted from the heights of its enormous hype-driven premiere in Fall 2013, and it’s certainly a better series now than it […]

  As we noted yesterday in writing about The Good Wife, churning out 22 hours per season is a tough challenge for any serialized network drama, especially one that concentrates on one central story, unlike, say the multiple plots of a show like Nashville.  The Originals would have fared better with a cable-sized 10 or […]

  Achieving the right tone is critical for any TV show, of course, but the task may be trickiest on JANE THE VIRGIN, with its mix of old-fashioned sentiment, broad comedy, melodramatic telenovela plotting and arch self-parody.  It’s quite an achievement of Jennie Snyder Urman, creator/showrunner of the US version of the show (who’d previously […]

  In its 6th season, THE GOOD WIFE continued to delightfully flout every depressing lesson the rest of network television tells us.  Under the remarkable stewardship of Robert and Michelle King, the series turns out seasons that are distinctive, moving, sharply funny, phenomenally intelligent and have an eye for the bigger moral and political picture, […]

  Season 4 of ONCE UPON A TIME was a rather misshapen one.  The Fall cycle was a tie-in to Disney’s blockbuster Frozen (creators Edward Kitsis and Adam Horowitz swore it was their idea and not a corporate mandate), and although it didn’t bring out the best in the series, it delivered in the ratings.  […]