BETTER CALL SAUL reminds us that a gripping tale about well-drawn characters can hold audiences even if it’s not the story they thought they wanted to see.  Although it’s an off-shoot of Breaking Bad, Saul rarely has high-octane action sequences to compare with Bad‘s.  Much of the time, it exists entirely outside conventional genre, […]

  USA’s THE SINNER was a genuine if moderate sleeper of this summer’s TV season, not a breakout hit but consistently rating ahead of its lead-in, the veteran Suits, and it’s not entirely clear why.  The show marked the return to TV of Jessica Biel, playing the seemingly ordinary Cora Tannetti, who committed a violent […]

  LEGION:  Tuesday 10PM on FX The first season of Noah Hawley’s LEGION was enthralling, and a bit of a disappointment.  Hawley’s adult off-shoot of the X-Man franchise toyed with narrative structure, temporal and spatial displacement, and extravagant shifts in tone, until it seemed like Hawley might blow up the entire superhero genre.  Instead, it […]

  CW’s THE 100 has set its bar fairly high fover the years, and on those terms, Season 5 wasn’t quite up to par.  The central crisis–our protagonists had to face off against a pack of vicious thawed-out convicts–was uncomfortably close to a Direct-to-VOD premise, and the climactic arrival of yet another nuclear holocaust struck […]

  Only in the world of RAY DONOVAN would a season’s (more or less) happy ending commence with the chainsaw dismemberment of corpses, but that’s Showtime’s twisted family saga.  The headline of Season 6 was the show’s relocation from Los Angeles to New York, which hardly seemed affect its DNA at all.  In fact, at […]

  If NBC’s Thursday night sitcoms were a movie about college roommates, The Office would be the one who doesn’t study or do the work but still gets better grades than anyone else, 30 Rock would be the teacher’s pet, Community the stoner who’s either going to end up as a temp or a billionaire.  […]

  There’s a reason CBS is as successful as it is.  PERSON OF INTEREST is just a procedural–albeit one with an unusually complicated premise–but it mixes solid plotting, well-paced action and just enough character backstory to give it a little substance, and the result is an hour of television that works.   Person starts with […]

> The Tony Awards aren’t quite like any other televised awards show.  They’re happily, unapologetically insular (and so are the ratings–thank god for CBS, where “young” audience is a relative term), and there’s hardly ever anything like an upset; this year the closest was probably Mark Rylance winning Best Actor In a Play for Jerusalem […]