TRANSPLANT:  Tuesday 10PM on NBC A great many shows that we consider “American television” are actually produced in Canada, thanks to favorable tax credits and currency exchange rates.  The creators of these shows and most of the more familiar stars may hail from the US, but the rest of the cast and behind-the-scenes personnel […]

  CW’s THE 100 has set its bar fairly high fover the years, and on those terms, Season 5 wasn’t quite up to par.  The central crisis–our protagonists had to face off against a pack of vicious thawed-out convicts–was uncomfortably close to a Direct-to-VOD premise, and the climactic arrival of yet another nuclear holocaust struck […]

  In its first season, Marc Maron’s self-created series MARON was more of an uneven experiment than a cohesive series.  Maron tried on several different formats in the course of its 10 episodes on IFC–mordant day in the life, surreal Louie-ish flights of fancy, naturalistic multiepisode story arc–and while some tries were better than others, […]

> And so we come to the age-old query:  after 6 months and 22 half-hours of television, has WHITNEY gotten any better? Well, it’s changed.  A revisit to the show on the occasion of its season finale, written by creator/star Whitney Cummings and directed by Betsy Thomas, presents a series that–whether because of network notes […]

  Showtime’s BILLIONS has cultivated one of the most recognizable signatures on television, from its rudely epigrammatic dialogue, to its love/hate relationship with its ruthless, narcissistic characters, to its very narrative devices.  Tonight’s Season 4 finale, written by series co-creators David Levien and Brian Koppelman and directed by experienced Billions hand Colin Bucksey, was precisely […]

  PERCEPTION:  Monday 10PM on TNT A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and […]

  ABC’s AMERICAN CRIME is Serious and Important, but how good is it?  John Ridley’s series takes on the biggest topics–all of them, it seems–from race to class to sexual orientation to school violence and the loss of privacy in the internet age, and not even Oscar-bait films wear a mantle of unrelieved misery quite […]

  Even though no one who isn’t in the awards game could name a member of the Hollywood Foreign Press Association (or would care about their opinion if they did), that group has seen its Golden Globes become the 2d most prominent award for both movies and TV.  In the last few years, the Globes […]