>   See A Word About Busted Pilots SMOTHERED, which was produced for ABC by Warner Bros Television, falls into the category of “not as bad as you’d think.”  The concept is Predictable Sitcom 101:  a young couple (Kyle Howard and Brooke D’Orsay) whose daughter is about to celebrate her first birthday, is invaded by […]

> See A Word About Busted Pilots Not even the presence of Michael Chiklis and Elizabeth Perkins could make VINCE UNCENSORED endurable.   Deservedly consigned by CBS to its trash-bin, this isn’t one of those pilots you’ll be likely to hear about again.  The storyline of Vince Uncensored uses a contrivance to get to an […]

>   See A Word About Busted Pilots We’ve gotten this far without using the word “ghastly” to describe any of the busted pilots from this year’s development season, but that streak is about to end.  HELP WANTED, which was produced by Warner Bros for NBC, is unaccountably bad.  Partly that’s a function of its […]

> See A Word About Busted Pilots  Deadline reported today that ABC Studios has signed Jesse Martin to a talent hold deal that, although it could end up with him being cast in a different ABCS project, is largely in place so he’ll be available for a redeveloped version of Marc Cherry’s HALLELUJAH pilot, for […]

> See A Word About Busted Pilots FAMILY ALBUM was one of the more buzzed-about FOX pilots of this past development season, and although it’s not on the network’s announced schedule, Deadline reports that it’s in contention for midseason and will even shoot a second prototype episode.  So this isn’t so much a postmortem as […]

> See A Word About Busted Pilots The word was that Stephen Gaghan’s pilot METRO was in serious consideration for NBC’s schedule until the very end (conventional wisdom has it that the final choice came down to Metro vs. Awake, and the latter made the cut).  That’s too bad:  the pilot is an impressive piece […]

> This year’s WONDER WOMAN pilot did not fly under the radar.  Produced by Warner Bros Television for NBC, it was the subject of speculation before it was even placed with a network, scrutiny while it was being produced, and analysis after it had been rejected.  With the exception of Terra Nova and Smash, it […]

> See A Word About Busted Pilots IDENTITY is so clearly a Jerry-Bruckheimer-for-CBS procedural that it comes as a shock to realize that it was neither produced by Bruckheimer nor developed for CBS.  In fact, Mark Gordon’s company produced the show for ABC Studios and the ABC network, which must have remembered at some point […]