SCREAM QUEENS was 13 consecutive hours of shrill campiness, and it was only fans of shrill camp who turned out for it–and they were far lower in number than FOX and the Ryan Murphy brain-trust had hoped.  As the MTV reboot of Scream had previously demonstrated, slasher movies don’t lend themselves to being extended […]

  At what point does unconventional storytelling become perversity for its own sake, a collection of curlicued narratives that operate like the showrunner version of The Emperor’s New Clothes?  It’s a question that came up often in connection with Damon Lindelof’s Lost, especially toward the end of its ultimately frustrating run, and even though THE […]

  Starz’s SURVIVOR’S REMORSE took some confident steps forward in its second season, even if that wasn’t reflected in the lackluster ratings.  Season 1 was mostly content with being a sports-driven Entourage clone (a position now occupied by HBO’s Ballers) about basketball star Cam Calloway (Jessie T. Usher) and his family basking in free agency […]

  Replacing a show’s creator with a new showrunner isn’t the preferred way for a series to proceed, but the change did some good for Season 3 of RAY DONOVAN, although tonight’s season finale didn’t necessarily showcase that fact.  it wouldn’t exactly be accurate to say that David Hollander, taking over for creator Ann Biderman, […]

  The original, Las Vegas-set CSI didn’t just spawn a mini-industry of its own spin-offs, but it can fairly lay claim to being one of the most influential shows of its generation, more or less inventing the subgenre of high-tech procedural that’s populated every network over the years since it began.  The series rose from […]

  Despite an underwhelming season finale that favored sentiment over action until the closing seconds, THE LAST SHIP had a fairly smooth second voyage.  (The show, one of TNT’s highest-rated originals, has already been renewed for Season 3.)  Season 1 had ended, somewhat surprisingly, with the discovery of a cure for the virus that had […]

  MISTRESSES faced some challenges in its 3rd season.  Two were interrelated:  for budget reasons, the network and studio decided to relocate the production to Vancouver, and that prompted marquee star Alyssa Milano to disengage from her contract.  Season 3 didn’t really suffer from these changes, since Milano’s character Savi had a relatively weak role […]

  Great TV dramas tend to arrive on our screens fully-formed.  (The same isn’t true of comedies, which sometimes take an entire season to find their voices.)  By the end of the first hours of The Sopranos, Mad Men, Deadwood, The West Wing, The Wire, Breaking Bad, The Shield, Lost–it was clear that we were […]