BETTER CALL SAUL reached a milestone in the final scene of its fourth season, as Jimmy McGill (Bob Odenkirk) formally assumed the mantle of Saul Goodman, the character he’ll be in Breaking Bad.  As the prequel series journeys toward its destiny, though, this Season 4 turned out to be a ruthless essay on the […]

  90210 has never been CW at its best.  The semi-network specializes almost exclusively in fantasies, either of the supernatural or soapy kind (or both), and some of its shows deliver those fantasies with wit and compelling storytelling–The Vampire Diaries and the early years of Gossip Girl, for example. 90210, though, has always a very […]

> ALCATRAZ was a show–pardon the use of past tense:  the series still has a pulse, but recent ratings make it an increasing longshot for a repeat sentence–that just never found its groove.  Convoluted but obvious, original and yet impersonal, the show was rarely terrible and never essential. The series was, as they say, “troubled.”  […]

  Visually, this season of BREAKING BAD has been typified by shots of Walter White’s looming, shaven, gleaming skull.  A bald pate may not have received this much loving camera attention since Brando’s in Apocalypse Now, and in tonight’s season finale, it was featured again, most notably in the great shot as Heisenberg fastened his […]

  Tina Fey’s 30 ROCK left the building very much the way it entered 7 years ago:  with a million gags (at least ten thousand of them meta), a bit of sentiment (usually followed instantly by undercutting silliness), and a gnawing taste for the hand that fed it. If there was any surprise in the […]

  Even with the nonstop double (sometimes barely single) entendres, 2 BROKE GIRLS is as basic and old-fashioned as a sitcom can be–it’s sort of a starter kit for CBS comedy.  Take 2 mismatched diner co-workers/roommates/business partners (Kat Dennings as streetsmart Max and Beth Behrs as once-wealthy Caroline), mix with a wacky boss and fellow […]

  SAVE ME had a late start, but it managed to be the worst network show to premiere during the 2012-13 season.  Unspeakably self-righteous, smug and narcissistic–and also not remotely funny–it was a series about religion that could have been underwritten by atheists.  While the idea of having The Big C creator Darlene Hunt run […]

  The line can be thin between an ambitious, wide-ranging drama series and a mess, and honestly, you could argue THE BRIDGE both ways.  It was resistant to being pigeonholed to a fault, and it seemed to resist, too, the central storyline it had undertaken from the Swedish/Danish series it was adapting.  At various times […]