Hit dramas rarely go south as quickly as THE BLACKLIST.  In November 2013 it was earning a 3.0 rating, one of the highest rated 10PM shows on TV.  In May 2014 it was still at 2.6.  In November 2014 it was almost as strong at 2.5.  2 weeks ago?  A new series low of […]

  There was a lot of attention paid to the amount of attention paid to the series finale of HBO’s THE LEFTOVERS, almost all of it because its co-creator was Damon Lindelof, and the last time he brought a series to its conclusion, it didn’t go so well.  But in many ways The Leftovers was […]

  “I understand why you’re confused,” said the figure who wasn’t Elliot Alderson’s therapist Krista (Gloria Reuben) to the figure who wasn’t Elliot (Rami Malek) toward the end of the finale of Sam Esmail’s series MR ROBOT.  And, well, yeah. This year, we’ve had reason to be reminded how tough endings are to achieve in […]

    This year, the original Las Vegas-set CSI, about to begin its 12th season on the air, faced not one but two crossroads.  A couple of years earlier, the show’s original star William L. Petersen had decided a decade was enough, and decided not to renew his contract.  Conventional wisdom has it that an […]

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment written by Ted Mann and Ronald Parker, has its share of tense confrontations and large-scale action, it dwells more on the […]

Lena Dunham’s GIRLS has been all over the place this season, so it made sense that its season finale would come out of nowhere.   We knew last week that when Jessa (Jemima Kirke) got a talking-to from former employer Katherine (Kathryn Hahn) about growing up, it was making an impression–but who would have thought that […]

  ABC’s NASHVILLE has reached the midpoint of its season as one of the better dramas on network television, and also one of the more frustrating.  Particularly galling is that it seems to falter worst at the things other, less interesting shows do with much less effort. Plotting, for example.  Within the show’s mostly parallel […]

  As hard as it is to create a compelling, successful television series, it’s much harder to keep one going year after year, after cast changes and writer changes and timeslot changes and network management changes and all the other events that make a showrunner’s life a nonstop ulcer.  (Revenge, for one, barely managed to […]