“Go big or go home” isn’t a sentiment that’s usually associated with the second year of a successful TV series.  More often, it’s “Do the same thing again,” possibly appended with “… only bigger.”  But Sam Esmail, the creator of MR. ROBOT (and this season, also the director of all its episodes), knows no […]

  It helps if you think of BUNHEADS as a CG special effects spectacle, except in this case the CG special effects and spectacle are all in the sound of Amy Sherman-Palladino’s dialogue.  Either you love herrapid-fire, endlessly witty repartee or you find it stilted and artificial; if you’re a naysayer, you should probably find another show […]

  MAJOR CRIMES has been doing for TNT what it was created to do–that is, fill the hole left by the departure of the network’s long-running hit The Closer–and it’s earned the Season 2 renewal it’s already received.  Putting aside a bump for last night’s season finale, it’s been getting around a 0.7 rating in […]

  FX’s FOSSE/VERDON was a triumph of narrowcasting, a showbiz hall of mirrors about a showbiz hall of mirrors.  That was never more so than in its final installment, where it met its meta-destiny by depicting Bob Fosse (Sam Rockwell) depicting a just-slightly fantasized version of his own life and death in All That Jazz.  […]

  ORPHAN BLACK is destined to be remembered more for the showcase it gave to the astonishing Tatiana Maslany than for its own narrative, although of course one couldn’t have existed without the other.  Series creators Graeme Manson and John Fawcett deserve credit not just for their tricky concept of a biological thriller that featured […]

  The ratings for BALLERS have more than justified its renewal by HBO, but the pieces of the series have yet to fit together.  Most of the show’s creative team hails from Entourage, and Ballers embraces the same bimbos-and-bling lifestyle porn and breezy pace, but having Dwayne Johnson as its central attraction has proved to […]

  Last year, the cop novel “The Whites” was published as the work of Harry Brandt–except that “Harry Brandt” was actually a pseudonym for Richard Price.  This seemed odd at first, because unlike, say, JK Rowling deciding to write detective stories, crime novels were already Richard Price’s bread and butter, in celebrated works of fiction […]

  HBO’s GETTING ON was generally close to unwatchable, and that’s meant as sort of a compliment.  Even in the world of pay-TV, where ratings aren’t always at the forefront of a network’s expectations, there’s usually some concession to conventional entertainment value, especially in a show that purports to be a comedy of sorts.  But Getting […]