> Let’s face it, “season finale” is a euphemism for what tonight’s episode of THE RIVER almost certainly was in reality:  the SS Minnow from Gilligan’s Island is more likely to make a return voyage than the Magus is of continuing to float down the Amazon.  So what went wrong with The River, a thriller […]

  The idea of a changed format turned out to be something of a pretense:  until the last 10 minutes of the final episode, which jumped forward half a day, 24: LIVE ANOTHER DAY could more accurately have been called 12.  But the need to fill only half as many hours was a tonic for […]

  In fairness, I should note up front that I didn’t keep up with THE CARRIE DIARIES very often after its season premiere, so this won’t pretend to be an authoritative look at its second season.  Still, checking back in for its season (for now) finale, the mild growing-up tale I found wasn’t very different […]

  GREY’S ANATOMY is no longer Shonda Rhimes’ brightest, shiniest toy, but in a way her skills as a producer are most evident in the way that her first hit hums along, now in its 2d decade on the air.  That’s incredibly difficult for a serialized drama, especially one that started off as being about […]

  ORANGE IS THE NEW BLACK may be the most tolerant show on television (or “television,” or whatever it is we’re calling distributed entertainment content in this new Netflixed world).  All the characters, even those who commit the most heinous acts–inmates and guards both–have their reasons and their frailties.  They’re miserably in love, or living […]

  Was this the season that Cinemax’s comparatively low-rent BANSHEE surpassed Justified?  In the subgenre of cop show pulp, the FX series has been the unquestioned class entry, with its distinguished Elmore Leonard auspices and elegantly violent plotting and dialogue.  But with a few episodes to go this season, Justified has felt a bit desultory, […]

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about politics and terrorism, a psychological drama, and more–all at once.  That it’s succeeded much of […]

  An odd thing happened to NASHVILLE in its 5th season, as it shifted networks to CMT and showrunners to Marshall Herskovitz and Edward Zwick.  When series creator Callie Khouri and original showrunner Dee Johnson were in charge, Nashville had revolved around three women:  country music superstar Rayna Jaymes (Connie Britton), glitzy troublemaker Juliette Barnes […]