WHITE COLLAR lost a little of its charm this season (or half-season, depending on how you characterize USA’s bifurcated order pattern).  The should-FBI-agent-Peter Burke (Tim DeKay)-trust-former-thief-Neal Caffrey (Matt Bomer)-and-vice-versa dynamic became repetitious and circular, with each of them switching places by the week, and some of the romance dropped out of the show’s spirit.  […]

  At the close of its 6th season, THE VAMPIRE DIARIES finds itself at a crossroads.  The ratings are way down, and for the first time since it premiered, the series isn’t one of CW’s biggest hits, but just a mid-range performer.  Viewers didn’t seem to respond to the witch-centric narrative of the season, or […]

  As bad as it is for a network when it launches a new series and no one shows up, in a way it has to be worse when the series premiere has a huge start–and then viewers drop away in droves once they’ve given it a try.  The first kind of failure may be […]

  Even after a full season of RIVERDALE, it’s not entirely clear what the show is trying to accomplish.  The high-concept premise is clear enough:  take the fresh-faced characters from the Archie comics world, and set them loose in a dark, sexualized YA soap.  But beyond that, series creator Roberto Aguirre-Sacasa (who’s also been involved […]

  ELEMENTARY is a very classy, enjoyable network procedural that has the misfortune of existing at the same time as the altogether more dazzling BBC/PBS Sherlock, which has the same premise:  Sherlock Holmes as a modern-day detective.  Both the strengths and weaknesses of the CBS approach were evident in last night’s 2-hour season finale. What […]

  NASHVILLE is a superior network series, loaded with talent and powerful moments, but it can also drive you up a wall, beset as it is with sometimes infuriating shortcomings.  The same was true for tonight’s season finale, written and directed by series creator Callie Khouri. Some of the show’s problems are glaringly obvious.  Its […]

  As we noted yesterday in writing about The Good Wife, churning out 22 hours per season is a tough challenge for any serialized network drama, especially one that concentrates on one central story, unlike, say the multiple plots of a show like Nashville.  The Originals would have fared better with a cable-sized 10 or […]

  Despite the declining fortunes of network TV, it was a good season for newly-launched dramas, with big hits emerging for FOX in Empire, ABC in How to Get Away With Murder, and CW in THE FLASH.  The latter isn’t just one of its network’s highest-rated shows ever, but remarkably has outrated series in its […]