It remains a pop culture puzzle that Marvel can have such uninterrupted, unprecedented success as a producer of blockbuster movies, yet still not have cracked the code of TV, while DC, which is hurrying (perhaps too fast) to play catch-up on the big screen, is routinely turning out hit series for the small one. (Well, […]
Despite the declining fortunes of network TV, it was a good season for newly-launched dramas, with big hits emerging for FOX in Empire, ABC in How to Get Away With Murder, and CW in THE FLASH. The latter isn’t just one of its network’s highest-rated shows ever, but remarkably has outrated series in its […]
MISTRESSES faced some challenges in its 3rd season. Two were interrelated: for budget reasons, the network and studio decided to relocate the production to Vancouver, and that prompted marquee star Alyssa Milano to disengage from her contract. Season 3 didn’t really suffer from these changes, since Milano’s character Savi had a relatively weak role […]
For anyone who doubts the challenges of sustaining a serialized narrative across 22 broadcast-network hours, there’s QUANTICO. Joshua Safran’s series went from one of the brightest spots of ABC’s fall schedule to a show that may have been lucky to have an early Season 2 renewal in its pocket, unable to effectively navigate its […]
An odd thing happened to NASHVILLE in its 5th season, as it shifted networks to CMT and showrunners to Marshall Herskovitz and Edward Zwick. When series creator Callie Khouri and original showrunner Dee Johnson were in charge, Nashville had revolved around three women: country music superstar Rayna Jaymes (Connie Britton), glitzy troublemaker Juliette Barnes […]
CW’s THE 100 has set its bar fairly high fover the years, and on those terms, Season 5 wasn’t quite up to par. The central crisis–our protagonists had to face off against a pack of vicious thawed-out convicts–was uncomfortably close to a Direct-to-VOD premise, and the climactic arrival of yet another nuclear holocaust struck […]
Where were Jack and Sawyer? Embracing the idea of “go big or go home,” the 8th season finale of GREY’S ANATOMY opened like the pilot for Lost, in the aftermath of the horrible crash of a plane on which several of our main characters had flown. Shonda Rhimes is not against shaking […]
> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show: The Office and Parks & Recreation both took that journey (the US Office was trying too hard at first to ape the Ricky Gervais original, and Parks was […]