The fourth and final season of Ray McKinnon’s Sundance series RECTIFY, perhaps the most universally acclaimed television program of the post-Sopranos era, was its most conventional.  There were few surreal stretches of memory and fantasy, the plot for the most part moved forward straightforwardly, and there were even bits of humor along the way, […]

  This season, ABC’s A MILLION LITTLE THINGS provided proof that even as viewers accustom themselves to DVRs and video on demand, old-fashioned network scheduling can still be key.  A Million Little Things was languishing on Wednesdays, on the bubble for next season, when a move behind Grey’s Anatomy allowed it to thrive, and led […]

  NBC’s marathon 90-minute festival of new COMMUNITY episodes tonight (interrupted by the 30 Rock season finale at 8:30) was less an expression of love from the network than a who-cares approach to the night, scheduled that way  because The Office and Parks & Recreation aired their season finales last week, and Community, kept off […]

> The second-season finale of Showtime’s SHAMELESS was unusually low-key for the rambunctious series, the result of having to deal with the aftermath of last week’s Thanksgiving dinner, where bipolar mom Monica (Chloe Webb) very graphically attempted suicide, and of Karen (Laura Wiggins) giving birth to a baby who turned out to have Downs Syndrome.  […]

  After two seasons on the air, WILFRED remains the most confounding show on television–which presumably is just as its makers want it.  The season finale, written by the developer of the US version of the series, David Zuckerman (from a story by Zuckerman and Scott Prendergast) and directed by house director Randall Einhorn, had […]

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conversational pins, and if her non-stop dialogue is to be more than mere verbal choreography, it’s critical that the scenes […]

  Which plotline really grabbed you in Season 4 of GLEE?  Was it Rachel’s (Lea Michele) one-episode pregnancy scare?  Her involvement (unwitting) with a male escort?  Was it the weeks of sullen silence between Mr. Schue (Matthew Morrison) and Finn (Cory Monteith) after Finn impulsively kissed Mr. Schue’s fiance Emma (Jayma Mays)?  Was it Blaine […]

  Every so often, a show comes along that makes you want to run up to random people in the street and yell “Why aren’t you watching this?”  right in their uncomprehending faces.  ORPHAN BLACK probably wasn’t–OK, wasn’t–the season’s best new show; The Americans, for one, was more layered and expertly crafted.  But Orphan, airing in […]