Frank Darabont has had a busy couple of weeks, although not necessarily in a good way.  He launched TNT’s MOB CITY, his first project since being thrown off AMC’s The Walking Dead after less than two seasons as creator/showrunner, to ratings that started out as disappointing and only got worse.  Then, earlier this week, […]

  After three seasons on the air, it seems fair to say that–paraphrasing Star Wars—Homeland isn’t the show we were looking for.  That doesn’t make it a bad series, or an unentertaining one.  But it’s not the successor to Mad Men and Breaking Bad in the pantheon of truly great television dramas that it at […]

  Michelle Ashford’s series MASTERS OF SEX has been the extraordinary surprise of the fall television season.  It seemed, on its face, to be dauntingly unpromising.  In telling the story of sex researchers William Masters (Michael Sheen) and Virginia Johnson (Lizzy Caplan) in the 1950s, surely it would be smarmy or else dull, too much […]

  In this new era of serialized television drama, plot–and the skill with which it’s doled out–is more important than ever.  An overall clumsiness with the handling of its storylines is what’s held back Lifetime’s WITCHES OF EAST END from being more than a pleasant diversion, and tonight’s season finale was sadly no exception.  The […]

  Season 4 of HAVEN was its most ambitious by far.  Under showrunners Matt McGuinness and Gabrielle Stanton, the series delved into its own mythology more deeply than it ever has before, moving past its initial rote Trouble-of-the-week structure to introduce some important new characters while radically shifting others.  All was not revealed, of course, […]

  BONNIE & CLYDE saved its most idiotic inspiration for the end.  Up until its last few minutes, the second half of the Lifetime/A&E/History miniseries was perhaps marginally better than its first (which we dealt with in yesterday’s review).  There was less chatty posthumous narration from Clyde (Emile Hirsch) this time around, a greater role […]

  It’s a continuing paradox that a show could have as many colorful characters, so terrific a cast, as much plot and incident and history (not to mention sex and violence) and visual style as BOARDWALK EMPIRE does and yet so often feel like homework.  It’s a pulpy series that sometimes lets its morose sense […]

  The problem with having your main character “go dark” is that she actually has to get somewhere.  In the Season 4 finale of COVERT AFFAIRS, Annie Walker (Piper Perabo) finally seemed to cross a line by coldbloodedly shooting her season-plus nemesis Henry Wilcox (Gregory Itzin) to death in a Hong Kong alley, but like […]