KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed by Shane Brennan and based on characters created by novelist David Baldacci, was badly in need of improvement.  It may be […]

  In its second season, Noah Hawley’s FX series LEGION largely became a delivery system for set-pieces.  Some of these sequences, to be sure, were dazzling:  Hawley has become a whiz with aspect ratios, split screens, stylized sets, skewed camera angles, eccentric music choices, and all manner of visual and aural devices–at one point, he […]

  Viewed in its 10-hour entirety, THE YOUNG POPE encompassed much of the good and bad of Auteur TV.  HBO, by all appearances, wrote a (very large) check to the arthouse filmmaker Paolo Sorrentino as creator, director and co-writer of the series, and then left him alone to make his art.  He emerged with a […]

  In its second season, Courtney Kemp Agboh’s POWER solidified its position as Starz’s biggest original hit, and it was a considerably better drama, too.  Partly that was because of Season 1’s weird structure, which played as 8 hours of prologue because the show’s two protagonists, drug trafficker Jamie “Ghost” St. Patrick (Omari Hardwick) and […]

  One of the many ways in which broadcast networks have started to resemble their cable counterparts is in the structure of a series season.  For years, cable has aired its shows, especially serialized series, in clearly-defined, repeat-free mini-seasons, with different programming in those slots during hiatus periods, rather than following the historical broadcast model […]

  FARGO was great television of a kind we’ve never really seen before.  Neither a prequel nor a sequel nor a remake, not even a true spin-off, this was more like a reincarnation of the Coen Brothers’ classic movie, as though the writer Noah Hawley had allowed himself to be inhabited by the filmmakers’ idiosyncratic […]

  SCANDAL has been having a barn-burner of a Season 2, emerging as a pulpier, crazier Homeland (not that Homeland hasn’t been pretty crazy the last couple of weeks), a DC-set melodrama where everybody is lying to someone.  It’s culminated for now in a midseason finale that kept the machinery of twists and schemes humming. […]

  The fifth season of THE VAMPIRE DIARIES was great fun as usual, although also a bit sloppier than the norm.  That could well be the result of series mastermind Julie Plec having to spread her time between Diaries, the new Originals, and whatever her duties were on The Tomorrow People, of which she was […]