The first season of Showtime’s EPISODES was hobbled by its own agenda, but in its much better Season 2, the series relaxed into a very solid sitcom.  The show, written throughout by Must-See-TV veterans David Crane and Jeffrey Klarik (Klarik’s credits date back to Mad About You, and Crane was co-creator of an obscure […]

  Not even HAVEN‘s worst enemy would have wished on the series its season finale experience of the past few weeks.  More serialized than ever before, the season was approaching its ending with a second-to-last episode that featured deadly violence in a school (although directed at older graduates attending a reunion, not at children)–in the […]

  After 4 seasons as a smash hit, MODERN FAMILY isn’t too concerned with creating forward momentum.  The show is better at what it does than just about anything else on television; the ratings may be down, but so are everyone’s; in short, it ain’t broke.  If that makes for a season that’s more pleasant […]

  In its second season, A&E’s neo-western LONGMIRE has become a superior procedural-plus, effectively knitting together both its frontier and cop genres and its crime-of-the-week and serialized storylines with an increased sense of character and some understated humor.  Tonight’s season finale, written by series creators Hunt Baldwin and John Coveny (based on a series of […]

  The Season 2 finale of TNT’s MAJOR CRIMES, intended to pay off the show’s one serialized storyline, about Rusty (Graham Patrick Martin), the teen ward of series protagonist LAPD Captain Sharon Raydor (Mary McDonnell) and witness to a murder committed by imprisoned serial killer and attorney Philip Stroh (who was originally introduced back in […]

  There was a scene in tonight’s Season 3 finale of SCANDAL where Olivia Pope (Kerry Washington) and Cyrus Beene (Jeff Perry) sat together after a shocking death and, in a manner that was remarkably low-key for this series, talked about the fact that they’d become such monsters that when the death occurred, their minds […]

  Before the final 2 weeks of its run, the word no one would ever have dreamed of attaching to TRUE BLOOD was “subdued”; it was the guilty pleasure HBO series that was loaded with sex and violence and got great ratings, but without the class of, say, Game of Thrones, and with no serious […]

  Movies have the advantage over TV when it comes to telling gimmicky stories, because a movie only has to sustain the gimmick for 2 hours, and then it’s done.  YOUNGER could have been an effortless feature vehicle for [fill in the rom-com star blank], but after 12 half-hour episodes, the effort is already showing […]