When SUBURGATORY went on the air last season, it had a clear vision:  as the title suggests, it was a light but acerbic satire about the perils of living a few too many miles from New York City, reflected through the gaze of Tessa (Jane Levy), a bright high-schooler who’d been brought from Manhattan […]

  In contrast to last week’s Kristin Wiig-fest, tonight’s season finale of SATURDAY NIGHT LIVE didn’t give victory laps to all the franchise characters Bill Hader and Fred Armisen have contributed to the show over their 8 and 11 seasons.  (And, praise God, it didn’t give them both a last “The Californians” sketch.)  Instead, each […]

  Every so often, a show comes along that makes you want to run up to random people in the street and yell “Why aren’t you watching this?”  right in their uncomprehending faces.  ORPHAN BLACK probably wasn’t–OK, wasn’t–the season’s best new show; The Americans, for one, was more layered and expertly crafted.  But Orphan, airing in […]

  UNDER THE DOME hasn’t been particularly important as TV drama, but it’s provided some vital information to the broadcast network business.  After years–decades, really–of treating summer as a repository for scripted burn-offs (this summer’s The Goodwin Games as well as flops like Do No Harm and 666 Park Avenue) and cheap international co-productions (Camp, Crossing Lines, Siberia, Motive, etc) […]

  FOX executives have been swearing to anyone who’ll listen that DADS improved greatly after its much-panned early episodes, so it seemed appropriate to check back in with the show on the occasion of its back-to-back season finale half-hours. And the answer is… no.  Dads ended the season just about as awful as it began, […]

  While not as loudly buzzy as Girls, SILICON VALLEY has been far more popular, indeed HBO’s highest-performing new comedy in quite a while (the fact that it follows the massive Game of Thrones on the network’s line-up hasn’t hurt, of course). Unlike a lot of comedies, both network and cable, that need some time […]

  It’s a mystery how some network messes ever get on the air, but that wasn’t the case with CBS’s EXTANT.  On the contrary, its path was completely clear.  After the network had a surprise smash hit last summer with Under the Dome, one that came with hardly any risk because of a co-financing deal […]

  There’s a reason why serialized dramas usually have some sort of “franchise” powering them:  a mystery to be solved, patients to be cured, a quest to be undertaken, etc.  Generating compelling stories on a weekly basis out of something like ordinary life can become awfully difficult, and a series can quickly turn mundane.  THE […]